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  • Culturius logo with the letter C in white and a large red dot closing the letter C
  • Culturius logo with the letter C in white and a large red dot closing the letter C
  • Culturius logo with the letter C in white and a large red dot closing the letter C
  • Culturius logo with the letter C in white and a large red dot closing the letter C
  • Culturius logo with the letter C in white and a large red dot closing the letter C
  • Culturius logo with the letter C in white and a large red dot closing the letter C
  • Culturius logo with the letter C in white and a large red dot closing the letter C
  • Culturius logo with the letter C in white and a large red dot closing the letter C
  • Culturius logo with the letter C in white and a large red dot closing the letter C
  • Culturius logo with the letter C in white and a large red dot closing the letter C
  • Culturius logo with the letter C in white and a large red dot closing the letter C
  • Culturius logo with the letter C in white and a large red dot closing the letter C

Events

27 events found
It all started when the baroque music ensemble L’Arpegiatta commissioned the two choreographers to devise a dance for a concert centred on Orfeo and Il Combattimento di Tancredi e Clorinda. Their p
Conçu et dirigé par Gil Marsalla, et interprété par le Belge Olivier Laurent, ce spectacle-hommage au grand Jacques a déjà conquis le monde entier. Ils sont nombreux à parler de lui comme d’un
ROYAUME
12mrt.
-20:00
Vibrant, vivant, sensuel et puissant, Royaume est notre coup de cœur du festival d’Avignon 2023… De la danse de toute beauté, on a envie de danser à côté d’elles ! Une pièce chorégraphiqu
The disconnection of our links with others and with the living, the climate disaster, a society fractured by discrimination... this is how the world appears, constrained by its pernicious selfishne
“We’re not here to hate the vessel we’re born into and that we use to navigate this world. Life is too short for that.” Confronted with the imperatives punctuating her own life and those of many ot
The disconnection of our links with others and with the living, the climate disaster, a society fractured by discrimination... this is how the world appears, constrained by its pernicious selfishne
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15mrt.
-16:00
Depuis 2 ans, Charleroi danse accueille les soirées YES, WE DANCE aux Écuries.Ce concept, initié par l’Asbl Orisha, propose à chacun·e de venir danser de manière libre et décomplexée dans un espace
Josef Nadj has made his mark on the contemporary scene in France since the 1980s with his engaged and poetic style. Accustomed to questioning universality through personal experiences, the choreogr
LANDFALL
11apr.
-
12apr.
While not renouncing her usual approach to choreography and research, in LANDFALL Erika Zueneli is trying her hand at something new and radical. Some of this comes from the youthfulness of the cast
Les chats
26apr.
-20:00
After Showgirl, which was like a fiery operatic reinterpretation of the eponymous film set in Las Vegas, the spotlight here is on the world of musicals. Cats, the world-famous musical that has been
For Charleroi danse’s associate artist, a powerful image and an ancient ritual provided the starting point for bringing together the two creations presented here in dialogue: Skid and Thr(o)ugh. On
Danseuse, chorégraphe, chercheuse, Olga de Soto pratique la danse autant qu'elle en explore l'histoire. Elle met ici en scène un danseur et une plasticienne dans une succession d'expériences physiq
Sylvia
26mrt. 2109
-20:00
Créé au Théâtre National en septembre dernier, ce spectacle musical signé Fabrice Murgia ressuscite l’Amérique des années 50. Rendant hommage à Sylvia Plath, figure emblématique de la poésie, rapid
For Charleroi danse’s associate artist, a powerful image and an ancient ritual provided the starting point for bringing together the two creations presented here in dialogue: Skid and Thr(o)ugh. On
While not renouncing her usual approach to choreography and research, in LANDFALL Erika Zueneli is trying her hand at something new and radical. Some of this comes from the youthfulness of the cast
Since 2006  with her company Nyash, Caroline Cornélis has been eager to address children and adults equally using languages that involve the senses and awaken connections. Here she has devised a se

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