Ce spectacle, transcendant les frontières de l’art pour explorer les maux de
notre société moderne, se jouera le 22 novembre 2024 au PBA !
Les plus beaux voyages commencent par une rencon
Depuis 2 ans, Charleroi danse accueille les soirées YES, WE DANCE aux Écuries.Ce
concept, initié par l’Asbl Orisha, propose à chacun·e de venir danser de manière
libre et décomplexée dans un espace
Entre fable écologique et danse explosive, entre univers clos et échappée
ludique, la pièce d'Anton Lachky adresse tant aux adultes qu'aux enfants sa
quête du vivant. Quatre corps en mouvement et u
Depuis 2 ans, Charleroi danse accueille les soirées YES, WE DANCE aux Écuries.Ce
concept, initié par l’Asbl Orisha, propose à chacune de venir danser de manière
libre et décomplexée dans un espace
Dans un esprit ouvert et convivial, le cycle Fancy Legs rassemble tous·tes les
amateur·rice·s de mouvements, de sons et de fêtes. Il met à l’honneur les
expressions de la culture hip-hop et clubbin
The disconnection of our links with others and with the living, the climate
disaster, a society fractured by discrimination... this is how the world
appears, constrained by its pernicious selfishne
While not renouncing her usual approach to choreography and research,
in LANDFALL Erika Zueneli is trying her hand at something new and radical. Some
of this comes from the youthfulness of the cast
Dans un esprit ouvert et convivial, le cycle Fancy Legs rassemble tous·tes les
amateur·rice·s de mouvements, de sons et de fêtes. Il met à l’honneur les
expressions de la culture hip-hop et clubbin
After Showgirl, which was like a fiery operatic reinterpretation of the
eponymous film set in Las Vegas, the spotlight here is on the world of musicals.
Cats, the world-famous musical that has been
Josef Nadj has made his mark on the contemporary scene in France since the 1980s
with his engaged and poetic style. Accustomed to questioning universality
through personal experiences, the choreogr
For Charleroi danse’s associate artist, a powerful image and an ancient ritual
provided the starting point for bringing together the two creations presented
here in dialogue: Skid and Thr(o)ugh. On
Complicity, fragility and tenacity: these are the ingredients in the new
cocktail concocted by Wooshing Machine. As an epilogue to the ‘Memory Trilogy’
that began in 2015 with their timeless Happy
Dans un esprit ouvert et convivial, le cycle Fancy Legs rassemble tous·tes les
amateur·rice·s de mouvements, de sons et de fêtes. Il met à l’honneur les
expressions de la culture hip-hop et clubbin
How can we keep alive the work of one of the great figures of post-modern dance?
For the first time in Belgium, the Trisha Brown Dance Company and choreographer
Noé Soulier unveil a programme that
It all started when the baroque music ensemble L’Arpegiatta commissioned the two
choreographers to devise a dance for a concert centred on Orfeo and Il
Combattimento di Tancredi e Clorinda. Their p
Depuis 2 ans, Charleroi danse accueille les soirées YES, WE DANCE aux Écuries.Ce
concept, initié par l’Asbl Orisha, propose à chacun·e de venir danser de manière
libre et décomplexée dans un espace
The disconnection of our links with others and with the living, the climate
disaster, a society fractured by discrimination... this is how the world
appears, constrained by its pernicious selfishne
“We’re not here to hate the vessel we’re born into and that we use to navigate
this world. Life is too short for that.” Confronted with the imperatives
punctuating her own life and those of many ot
Since 2006 with her company Nyash, Caroline Cornélis has been eager to address
children and adults equally using languages that involve the senses and awaken
connections. Here she has devised a se
Danseuse, chorégraphe, chercheuse, Olga de Soto pratique la danse autant qu'elle
en explore l'histoire. Elle met ici en scène un danseur et une plasticienne dans
une succession d'expériences physiq
