Depuis 2 ans, Charleroi danse accueille les soirées YES, WE DANCE aux Écuries.Ce
concept, initié par l’Asbl Orisha, propose à chacun·e de venir danser de manière
libre et décomplexée dans un espace
How can we keep alive the work of one of the great figures of post-modern dance?
For the first time in Belgium, the Trisha Brown Dance Company and choreographer
Noé Soulier unveil a programme that
On attendait avec impatience la nouvelle création de Nono Battesti, notre
chorégraphe préféré, accompagné par ses musiciens ! Le coquelicot est un symbole
de paix, de régénération… Il propose un momen
Dans un esprit ouvert et convivial, le cycle Fancy Legs rassemble tous·tes les
amateur·rice·s de mouvements, de sons et de fêtes. Il met à l’honneur les
expressions de la culture hip-hop et clubbin
The disconnection of our links with others and with the living, the climate
disaster, a society fractured by discrimination... this is how the world
appears, constrained by its pernicious selfishne
For Charleroi danse’s associate artist, a powerful image and an ancient ritual
provided the starting point for bringing together the two creations presented
here in dialogue: Skid and Thr(o)ugh. On
Josef Nadj has made his mark on the contemporary scene in France since the 1980s
with his engaged and poetic style. Accustomed to questioning universality
through personal experiences, the choreogr
Dans un esprit ouvert et convivial, le cycle Fancy Legs rassemble tous·tes les
amateur·rice·s de mouvements, de sons et de fêtes. Il met à l’honneur les
expressions de la culture hip-hop et clubbin
While not renouncing her usual approach to choreography and research,
in LANDFALL Erika Zueneli is trying her hand at something new and radical. Some
of this comes from the youthfulness of the cast
After Showgirl, which was like a fiery operatic reinterpretation of the
eponymous film set in Las Vegas, the spotlight here is on the world of musicals.
Cats, the world-famous musical that has been
Dans un esprit ouvert et convivial, le cycle Fancy Legs rassemble tous·tes les
amateur·rice·s de mouvements, de sons et de fêtes. Il met à l’honneur les
expressions de la culture hip-hop et clubbin
It all started when the baroque music ensemble L’Arpegiatta commissioned the two
choreographers to devise a dance for a concert centred on Orfeo and Il
Combattimento di Tancredi e Clorinda. Their p
Depuis 2 ans, Charleroi danse accueille les soirées YES, WE DANCE aux Écuries.Ce
concept, initié par l’Asbl Orisha, propose à chacun·e de venir danser de manière
libre et décomplexée dans un espace
Complicity, fragility and tenacity: these are the ingredients in the new
cocktail concocted by Wooshing Machine. As an epilogue to the ‘Memory Trilogy’
that began in 2015 with their timeless Happy
Danseuse, chorégraphe, chercheuse, Olga de Soto pratique la danse autant qu'elle
en explore l'histoire. Elle met ici en scène un danseur et une plasticienne dans
une succession d'expériences physiq
The disconnection of our links with others and with the living, the climate
disaster, a society fractured by discrimination... this is how the world
appears, constrained by its pernicious selfishne
“We’re not here to hate the vessel we’re born into and that we use to navigate
this world. Life is too short for that.” Confronted with the imperatives
punctuating her own life and those of many ot
For Charleroi danse’s associate artist, a powerful image and an ancient ritual
provided the starting point for bringing together the two creations presented
here in dialogue: Skid and Thr(o)ugh. On
Since 2006 with her company Nyash, Caroline Cornélis has been eager to address
children and adults equally using languages that involve the senses and awaken
connections. Here she has devised a se
“A simple dot on a white leaf becomes a line and a movement when my emotions are
added to it,” says Ikue Nakagawa. Integrating her style of drawing into her
dance, in 2022 the creator produced the
