Une musique folk mélancolique, hypnotisante et oniriqueAprès le succès de «
Twelvefour », « On the Train Ride Home » et de « On the Corner Where You Live »,
The Paper Kites présente « At the Roadhouse ». Un opus sorti en 2023 sur lequel
le groupe de folk australien excelle encore une fois dans l’écriture de balades
folk mélancoliques, hypnotisantes et oniriques.Avec cet album, la formation,
composée de Sam Bentley et Christina Lucy vous donne rendez-vous à l’Orangerie.
L'occasion de découvrir l’un des groupes phares de la scène folk australienne,
également l’un des plus titrés sur la scène internationale.
Sam Amidon - Marta Del Grandi - Les Nuits Botanique
Description
Une folk aventureuse entre réinterprétation de chansons intemporelles et sentiment de plénitudeChanteur et multi-instrumentiste (banjo, guitare, violon) originaire du Vermont et aujourd'hui basé à Londres, Sam Amidon présente un catalogue de sept albums, sortis du Bedroom Community et Nonesuch Records. Au menu : des ballades folks aventureuses, aussi paradoxales que réconfortantes. Son dernier projet en date, « Sam Amidon », explore sa vision artistique à travers des réarrangements musicaux de 9 chansons folks intemporelles.Amidon et son groupe, habituellement composé du multi-instrumentiste Shahzad Ismaily et du batteur Chris Vatalaro, ont été rejoints en studio par le guitariste belge Bert Cools ainsi que par l'épouse du chanteur, Beth Orton, qui ajoute du chant sur trois chansons. La bassiste acoustique Ruth Goller et le saxophoniste Sam Gendel jouent également sur l'album.Née en Italie, Marta Del Grandi est une auteure-compositrice-interprète éclectique et ex-chanteuse de jazz qui rassemble des influences de tous horizons afin de tisser son propre mélange de genres.
Jazz
Blues
Folk
Date info
Jeudi: de 19:30 à 22:00. Le 2 mai
Tickets
Info:
DAY OF SHOW €29.5 – TICKET €26.5 – BOTACARTE €23.5
Venue
Organiser
1 Picture
Suggested events
Line-up:Jacques Schwarz-Bart · saxophone / Grégory Privat · piano / Reggie
Washington · contrebasse / Arnaud Dolmen · batterieDescriptif:The Harlem Suite’
est un rêve d’enfant, celui de venir à New York depuis la Guadeloupe, la petite
île de Jacques Schwartz-Bart, et de devenir musicien de jazz. Les airs et les
arrangements ont été écrits pour célébrer chaque étape de ce voyage périlleux
mais gratifiant. Contrairement à la plupart de ses travaux antérieurs, cet opus
n’est pas ancré dans les grooves afro-caribéens. Il porte néanmoins la marque de
polyrythmies dialoguant avec des mélodies lyriques, tout en embrassant
l’esthétique du jazz moderne américain, y compris son mélange le plus récent de
grooves hip hop et d’improvisation. A travers ce disque, il a voulu peindre une
fresque moderne riche en couleurs, tout en restant fidèle à la tradition
africaine de la musique comme source de guérison et d’élévation spirituelle.15€
·10€ membres, étudiants, demandeurs d’emploi · 9€ étudiants Crb/kcb, carte Ulb
CultureRéservations vivement conseillées via notre billetterie en ligne.Accès et
transports :Les cyclistes peuvent laisser leur vélo sans se préoccuper, dans
l'enceinte de la Jazz Station. Les bus 29 et 351 s'arrêtent à deux pas, à
l'arrêt Clovis. Les bus 60 et 63 s'arrêtent à Ambiorix, cinq pas. Le 61 s'arrête
à Steurs, trois pas ! Les automobilistes doivent chercher pour se garer, mais ce
n'est pas difficile. Le parking le plus proche est à Madou, de là 15 min à pied.
“Treasures of The American Songbook”Hetty Kate (Vocals), Maxime Moyaerts
(Piano),Victor Foulon (Double Bass) “When Hetty Kate takes the stage you can’t
help but notice. She has a stage presence only matched by the clarityof her
voice – couple this with her dedication to music that swings, and you have the
jazz musician’s singer.” – James Morrison Multi-Instrumentalist (AU) For these
intimate concerts, British/Australian jazz vocalist Hetty Kate has invited
celebrated musicians, pianist Maxime Moyaerts and bassist Victor Foulon to join
her. As the trio explores classics and curiosities from the swing, cool jazz and
bop eras you’ll discover the joys of the jazz trio, a simplicity allowing each
musician, and importantly, each song to shine. “Like Peggy Lee on a Vespa” Marc
Myers, Jazzwax Magazine (USA) Described as “the real deal” and “one of the best
swing singers on the scene today”, jazz singer Hetty Kate has been pursuing an
impressive international career for over a decade. From intimate clubs to the
most prestigious stages such as The Sydney Opera House, Hetty’s career has taken
her all over the world, from New Zealand to New York. With her clear voice and
remarkable intonation, reminiscent of the singers of the 1950s, Hetty Kate
swings the beautiful songs of the American Songbook – from Gershwin to Dameron,
from swing to bop. You’ll notice that Hetty “honors the composer” by staying
true to the message and melody of his composition, and uses improvisation in a
way that never interferes with the lyrics. It is this rare quality and a
compelling ease on stage that has attracted the attention of musicians and
audiences the world over. Over the course of her career, Hetty has released ten
critically acclaimed albums and performed at many festivals including the New
York Winter Jazz Festival (USA), the Sapporo Jazz Festival (Japan), the Prague
Proms (Czech Republic), the Melbourne, Sydney and Perth International Jazz
Festivals (Australia), the Cavell Leitch International Jazz Festival (New
Zealand), thePeniscola Jazz Festival (Spain), the Piacenza Jazz Festival
(Italy). Hetty also toured extensively with award-winning Australian jazz
musician James Morrison for many years, notably as the featured vocalist on his
symphonic concert (Europe/Asia/Australia) entitled “The A to Z of Jazz”. Join us
and enjoy a warm, entertaining and masterful evening of treasures from the
American Songbook. VIDEO LINK : http://www.youtube.com/hettykateTICKET: 18€
Members – No Members 20€
Lauréat du premier prix (et du Prix du Public) au Concours International de
Guitare du Montreux Jazz Festival 2014, Alex Goodman a été salué comme « l’un
des talents les plus prometteurs de [sa] génération de jazz » (JazzTimes), ainsi
que comme « une voix musicale incontestable » (Guitar International). Ce
guitariste a sorti sept albums en tant que leader ou co-leader. Son premier opus
‘Bridges,’ sorti en 2011, a été nominé pour un JUNO comme meilleur disque de
jazz contemporain de l’année. Le guitariste figure sur des enregistrements aux
côtés d’artistes renommés tels que John Patitucci, Dave Douglas, Ambrose
Akinmusire, Dick Oatts, Mike Rodriguez et Rich Perry. En 2022, il a reçu une
bourse du Conseil des Arts du Canada pour composer un programme de musique
nouvelle aventureuse pour quatuor à cordes, guitare et basse qui a fait sa
première lors d’une tournée européenne en 2024.
15€ ·10€ membres, étudiants, demandeurs d’emploi · 9€ étudiants CRB/KCB, carte
ULB Culture
Réservations vivement conseillées via notre billetterie en ligne.
Accès et transports :
Les cyclistes peuvent laisser leur vélo sans se préoccuper, dans l'enceinte de
la Jazz Station. Les bus 29 et 351 s'arrêtent à deux pas, à l'arrêt Clovis. Les
bus 60 et 63 s'arrêtent à Ambiorix, cinq pas. Le 61 s'arrête à Steurs, trois pas
! Les automobilistes doivent chercher pour se garer, mais ce n'est pas
difficile. Le parking le plus proche est à Madou, de là 15 min à pied.
Oscillation ::: Materia Forma
New Oscillation (https://www.oscillation-festival.be/) edition, new format :::
after online, nomadic and sedentary editions, we're in for six days of sound
celebrations. The marathon edition? Those who have been following us for some
time know that this range is not a try-out for the Q-O2 crew. Those concerned
about physical effects, sleep deprivation, and sonic saturation? Don't worry,
the evenings will be intense, but, concise.
This year's edition is hosted by VK Vaartkapoen in Molenbeek, complemented with
outings to B.A. in Anderlecht and the Saint-Jean-Baptiste de
Molenbeek-Saint-Jean Church. The six days feature concerts, (in-situ)
performances, a conference, round table conversations, walks, and a series of
workshops. T
This year, we reflect on form, format and performance. The self-evidence of an
active performance linked to music has been altered with the ubiquity of
electronic instruments and forms of amplification, which has also resulted in a
larger variety of concert formats. Yet, absence of activity on stage does not
equate to an absence of performance: objects might take that role, everyday
events can be framed to perform themselves, sounds may exist as forms in
themselves. Degrees of reality morph, appear, and disappear.
Featuring:
Ahnjili Zhuparris
Ailbhe Nic Oireachtaigh
Ana María Romano G.
Bojana Czevi
Enrico Malatesta
Evicshen
Floris Vanhoof
Franziska Windisch
Gabriel Paiuk
Giulia Rae
Jana Rush
Jaqueline Nova
Ji Youn Kang
Joná Gruska
Laura Mello
Lee Patterson & Pak Yan Lau
Liew Niyomkarn
Margarida Garcia
Michiko Ogawa & Lucy Railton
Nika Son
Nina Garcia/Mariachi
Okkyung Lee
Rim Irscheid
Sandar Tun Tun
Shamica Ruddock & Hannan Jones
Tetsuya Umeda
Tim Ingold
Tom Malmendier & Emilie krijelj
Valentina Vuksic
Victoria Shen
www.oscillation-festival.be
Billy Strayhorn and Duke Ellington Tribute Simon Rigter (tenorsax), Jasper
Soffers(piano), Jean-Louis Rassinfosse (bass),Luc Vanden Bosch (drums) Being the
son of saxophone player Bob Rigter, Simon Rigter (The Netherlands, 1973) grew up
in a musical environment. At age 10 he started taking classical flute lessons
and at age 12 Simon started playing the saxophone. He studied at the Royal
Conservatoire of The Hague from 1989 until 1996, where he was taught by John
Ruocco. Subsequently, he studied with Ferdinand Povel at the Hilversum
Conservatoire. He graduated in 1997. As a recording artist Simon can be heard
with Dutch Jazz Orchestra, Jazz Orchestra of the Concertgebouw, Rotterdam Jazz
Orchestra, The Reeds, Curtis Fuller, Slide Hampton, John Marshall, Cees Slinger,
Victor Kaihatu, . He performed with George Coleman, Alvin Queen, Ferdinand
Povel, Ruud Jacobs, Pim Jacobs, Frans Elsen and toured in China, Denmark,
Germany, Ireland, India, Israel, Jamaica, Japan, and South America. Simon is a
teacher at the Conservatorium van Amsterdam and plays 1st tenor in The Jazz
Orchestra of the Concertgebouw. He also plays with Bop2B, Equinox, The Ruud
Breuls/Simon Rigter Quintet, The Simon Rigter Quartet and Tenor Conclave. In the
winter of 2022 Simon released a ballad album entitled Growing Up. The album was
released on Sound Liaison. VIDEO LINK :
https://youtu.be/gbCnlSDyBE8?si=Yxj4DWVxRofbFtkd TICKET: 18€ Members – No
Members 20€
New directions in music!
The original unit of the trio can already count on many years of sessioning and
playing together. Jordi's compositions, originals -mostly by Monk and Ornette
Coleman- standards, free impro, the band's repertoire is quite broad, always
adapting to the vibe and to the acoustic space of venues. To spice things up, I
(as Jordi the leader)/we are delighted to invite another partner-in-crime, the
talented Lynn Cassiers, who will add her pristine voice and spaced-out
electronic set to the mix!
TRIBUTE TO OSCAR PETERSON Mathieu De Wit (piano), Max Malkomes (bass), Laurent
Vigneron (drums) This belgian trio pay hommage to one of the greatest piano
player in all jazz history : Oscar Peterson.They play some of the greatest
originals by the canadian pianist such as Hymn to Freedom, Wheatland, or
Hallelujah Time.The music of Oscar Peterson is always full of joy and swing with
a lot of energy. His style is probably one of the more technical on thepiano.
Come and enjoy this Tribute concert to this amazing piano Player !TICKET: 15€
Members – No Members 18€
NEW ALBUM “BUCKLE UP!” Brad Wilson (guitar), Luca (keys, guitar), Fabrizio Erba
(bass), Toto Poznantec (drums) Released his new album “Buckle Up!” on January
26, 2024, featuring both fiery originals and reimagined blues classics.The album
was recorded in renowned studios Wisseloord located in Hilversum Netherlands
and Guitar Institute Hollywood California.Produced by Grammy-winning producer
Francis Buckley and promoted by Betsie Brown and Blind Raccoon Promotions.Two
#1’s right away! Brad “Guitar” Wilson’s latest album, “Buckle Up!”, has been a
smash hit. It topped the California independent radio charts at #1 album and
spawned the #1 USA Blues Rock song, “Cast Your Shade.” IBBA UK radio chart
welcomed Buckle Up! album at #17 for February 2024. TICKET: 15€ Members – No
Members 18€
Joseph Nowell (piano), Michele Bondesan (double bass),Giuseppe Sardina
(drums) Katharsis was born in 2020 from the meeting of three musicians and
long-time friends who had been playing together for years in different contexts
(BlueRing Improvisers among others) and decided to bring together their mutual
influences in a stable formation. The trio aims to reconcile European jazz,
contemporary textures and impromptu composition, creating fragile but intense
music, instinctively controlled and made consistent by the deep contact between
the musicians.Spring 2024 marks the Italian/Belgian tour presenting their album
“People and Places” (Aut Records 2022) consisting only of original pieces
written specifically for this formation by the three musicians, which received
positive reviews from Italian and international press. VIDEO LINK :
https://www.youtube.com/live/8STmyLL0Az0?feature=share