Hispanic Origins

Description

We believe we offer a program which will top those previous experiences - with something for everybody who is willing to discover the latino flair.

We invite you to join us and immerse yourself in the splendid sounds, tempting treats and colorful customs that Latin culture is famous for.

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Suggested events

In the Making #5: Barbro Scholz and Li Lorian, Experiencing Text and Textile. In this session researchers Barbro Scholz and Li Lorian ask the following questions: How does light feel on the body? What sort of togetherness is there in reading text? They will explore tangible and intangible experiences of voice and textile light. In their practice, both artists are interested in ways of communicating aesthetic experience. Procedures of documentation and transmission bring up questions concerning audience, spectatorship and participation in the art field and artistic research. We aim to open up for participative thinking and valuing aesthetic and experiential knowledge of ourselves and others. Artist and designer Barbro Scholz deals with experiential qualities of tangible (textiles) and intangible (light) materials, and how their interplay invites for novel forms of performativity. Performer and artist Li Lorian is interested in practices of reading text, to oneself and outloud, voicing and finding new means of commonality. Both of them have an interest in movement, affect, and entanglement to be investigated in a playful, participatory, collaborative research. This session is a great opportunity for them to find ways to share their yet unformulated thoughts in an experiential method with an audience. - IN THE MAKING The Academy of Creative and Performing Arts (ACPA) of Leiden University and Art Institute West Den Haag are pleased to announce their close collaboration in the new public series ‘In the Making’. In six public sessions they will present to the public different practices of research in the arts. Artistic production has always expressed the forms in which we know, explore, and sense the world we live in. The current practice of research in the arts consciously assumes this exploration. In the past decades the focus on research in the domain of the arts has grown – as well as its role in universities and other research contexts – expressing its engagement with the realities of the world at large. ‘In The Making’ will address how artists conduct their research. Guest artist researchers and artist researchers from Leiden University will present their projects, approaches to research, methods and results. Each session will address questions inherent to these projects. ‘In The Making’ aims to deepen a perspective which conceives of artistic practice not as the sole product of individual visionaries but as a collective endeavor embedded in society. It addresses the role of art in the construction of the present and the creation of possible futures.
Join us at 1646 for an exhibition that examines the hidden powers that rule many parts of our lives. Financial power is a concept that becomes more intangible with each attempt to understand it, often hiding itself in tall buildings. Through extensive research on the development of global capitalism, stock markets and big corporations, artist/filmmaker Bob Demper tries to understand the impact it has on our existence. Demper looks at how the risk taken by the corporate world is almost always a public risk, and how this relentless pursuit of growth has resulted in polarisation, confusion and a lack of understanding of what’s governing our everyday life. At 1646, the audience can walk through carefully crafted film sets. Spaces that make us feel the tension between these opaque financial worlds and our private space, where we find ourselves on the edge of dreams and reality.
ONTRAFEL MET AFRO-CARIBISCHE PERCUSSIONIST VERNON CHATLEIN DE GEHEIMEN VAN CURACAO’S MEEST ICONISCHE MUZIEKSTROMING: TAMBÚ In English below -> Kimina is een voorstelling waarin Tambú; de muziek, dans, storytelling en spiritualiteit centraal staat. Het is de derde voorstelling in de reeks vertoningen van Chatlein’s onderzoek & performace platform Voices From Letters, waarin hij de traditionele muziek vertaalt naar het hedendaagse.
STORM is een unieke samenwerking tussen voormalig Componist des Vaderlands Calliope Tsoupaki en choreografen Andrea Leine en Harijono Roebana. Tussen een componist die durft te denken vanuit beweging en choreografen die vorm geven aan klank. Vitale emoties en ordening, dans en muziek ontmoeten elkaar in een stormachtige voorstelling met zes dansers en drie musici.
STORM is een unieke samenwerking tussen voormalig Componist des Vaderlands Calliope Tsoupaki en choreografen Andrea Leine en Harijono Roebana. Tussen een componist die durft te denken vanuit beweging en choreografen die vorm geven aan klank. Vitale emoties en ordening, dans en muziek ontmoeten elkaar in een stormachtige voorstelling met zes dansers en drie musici. STORM is een unieke samenwerking tussen voormalig Componist des Vaderlands Calliope Tsoupaki en choreografen Andrea Leine en Harijono Roebana. Tussen een componist die durft te denken vanuit beweging en choreografen die vorm geven aan klank. Vitale emoties en ordening, dans en muziek ontmoeten elkaar in een stormachtige voorstelling met zes dansers en drie musici. STORM is een achtbaan van dans en muziek: van gedragen beweging, iconische gebaren en rituele precisie tot ingehouden en directe emoties uitgevoerd door een jonge cast van zes dansers en musici David Kweksilber op (bas)klarinet, David Mackor op theorbe en Dominique Chabot op contrabas. De jonge modeontwerper Carlijn Veurink voegt daar met haar autonome sculpturale kostuums een laag aan toe. STORM klinkt dreigend, maar dans en muziek zijn intiem, als een bezwering van de storm. Klank en beweging roepen een echo op van oude Griekse volksfeesten, afwisselend ritueel en emotioneel. Elementen als cirkelbewegingen, ingehouden energie als stilte voor de storm en het passionele van de Griekse dans en muziek vormen de basis. Die echo wint aan momentum door de gezamenlijke nieuwe ordeningsprincipes waarmee Calliope Tsoupaki en LeineRoebana dans en muziek doen versmelten. LeineRoebana staat bekend om haar cross-disciplinaire producties waarin dans en muziek samensmelten tot één geheel. Calliope Tsoupaki laat zich in haar werk beïnvloeden door zowel oude als hedendaagse muziek; Westerse compositietechnieken en de traditionele klanken uit Griekenland en het Midden-Oosten. Haar muziek kenmerkt zich door haar melodische karakter, warm geluid en emotionele kwaliteit. For all our internationals, expats and Anglophiles: our No Dutch Required page. Our No Dutch Required programme consists out of performances that are either English spoken, sub- or surtitled or withou… concept en choreografie Andrea Leine, Harijono Roebana compositie Calliope Tsoupaki dansers Andrea Pisano, Timon De Ridder, Kris Mohammed Adem, Aika Goto, Benedita Crispiniano, Margarida Constantino musici David Kweksilber, David Mackor, Dominique Chabot toneelbeeld Andrea Leine, Harijono Roebana, Jeroen Smith lichtontwerp Jeroen Smith kostuums Carlijn Veurink dramaturgische adviezen Luc de Groen repetitor Michael Jahoda lichttechniek Barry van Rooijen geluidstechniek Oscar Bouwmans
IMAGINATION: HONG KONG IN EXILE The inaugural symposium, "ImagiNation: Hong Kong in Exile," is set to take place in The Hague in 2024. As the home of international courts, The Hague perfectly embodies the symposium's commitment to universal justice. Structured around three overarching themes— "Preserving Identity," "Artistic Activism," and "Cultural Reshaping"— the symposium aims to comprehensively explore the past, present, and future of the artistic and cultural development of the overseas Hong Kong diaspora. Scholars, advocates, and artists from across the globe are invited to discuss deeply into Hong Kong's resilience amid ongoing changes, contributing to the construction of a future for the displaced people of Hong Kong. Join us for an unforgettable symposium featuring inspiring discussions, interactive workshops, and performances at ImagiNation: Hong Kong in Exile! Let's celebrate the Lion Rock spirit of Hong Kong and the resilience of its people. Get ready to listen to powerful stories of hope, courage, and determination from Hong Kong's diaspora. ------------------------------------------------------------------------------------------------------ **Meals and beverages are provided. ** You can purchase a 2-day Pass or individual ticket for each day. **Please note that there are 2 days of events, located in 2 venues: Day 1 - Opening Ceremony and Symposium Located in the Nieuwspoort (website: Nieuwspoort.nl [https://nieuwspoort.nl]) Address [https://www.google.com/search?sca_esv=586607062&sxsrf=AM9HkKlhcHA6_-NT6k7zMGYTKBVBvhI5YQ:1701352835460&q=nieuwspoort+address&ludocid=3038513973635294986&sa=X&ved=2ahUKEwisqJSb8euCAxUaQkEAHSjHCxYQ6BN6BAhTEAI]: Bezuidenhoutseweg 67, 2594 AC Den Haag, Netherlands Day 2 - Symposium and Performance Located in De Badkuip (in the same building of the Billy Town [https://www.billytown.org/]) Address [https://maps.app.goo.gl/vnkQMHo1tpzMqCnG6]: Helena van Doeverenplantsoen 3, 2512 ZB Den Haag
MISSA MAMA NOVA is een performance met dans en koorzang over vrouwelijkheid, en het laatste deel in een drieluik waarin theatermaker en componist Timo Tembuyser christelijke ritualiteit naar zijn hand zet. Het vorige deel, Missa Mater Sola (2O22) werd genomineerd voor de BNG Bank Theaterprijs op het Nederlands Theaterfestival. Dit programma is onderdeel van Editie 70 van het Haagse festival voor nieuwe muziek Dag in de Branding. Bekijk het volledige programma via de website: Dag in de Branding Editie 70 [https://www.dagindebranding.nl/editie/70-editie-70/] In English below - >
In the Making #6: Anna Scott, Jed Wentz, Laila Neumann, Emma Williams Art Without Soul? Embodiment and Historical Performance Modern performance critics often scorn nineteenth-century actors and musicians, assuming that because they placed emphasis on exaggerated shapes and gestures they were merely showboating — engaging in empty posturing — rather than performing from the soul. Treatises of the period, however, suggest that this visual and sonic hyper-physicality was the means by which these performers generated, channeled, and communicated emotion; that they understood their art as originating not from the soul but from the body. Engaging with these practices today, therefore, is a necessarily embodied rather than abstract, intellectual endeavor; one that handles the performing body (both past and present) as a rich, creative resource rather than a soulless distraction. - IN THE MAKING The Academy of Creative and Performing Arts (ACPA) of Leiden University and Art Institute West Den Haag are pleased to announce their close collaboration in the new public series ‘In the Making’. In six public sessions they will present to the public different practices of research in the arts. Artistic production has always expressed the forms in which we know, explore, and sense the world we live in. The current practice of research in the arts consciously assumes this exploration. In the past decades the focus on research in the domain of the arts has grown – as well as its role in universities and other research contexts – expressing its engagement with the realities of the world at large. ‘In The Making’ will address how artists conduct their research. Guest artist researchers and artist researchers from Leiden University will present their projects, approaches to research, methods and results. Each session will address questions inherent to these projects. ‘In The Making’ aims to deepen a perspective which conceives of artistic practice not as the sole product of individual visionaries but as a collective endeavor embedded in society. It addresses the role of art in the construction of the present and the creation of possible futures.