*** Nederlands ***
Lotte Van den Audenaeren makes works that illuminate the material dimensions of
time as it takes shape in patches of natural sunlight, transient sounds, swathes
of fluorescent fabric, or decaying natural objects. With an artistic practice
that is open to the intentions and durations of her materials, she works with
time as though it were a strip of celluloid film—parsing, fixing, and editing
the fleeting moment through material processes such as bronze casting, glass
blowing, ceramic firing, and photography.Isabelle Lynch, Philadelphia, January
2020 Van den Audenaeren graduated with two Masters in Fine Arts from LUCA School
of Arts in Brussels and the Royal Academy of Fine Arts KASK in Ghent. She has
participated in solo and group exhibitions at national and international art
venues and institutions including Carriage Trade, New York City (2021), KAAP and
Mu.ZEE, Ostend (2020, 2021), Z33, Hasselt (2020), Kunst&Zwalm Biennial, Zwalm
(2019), Triennial for Contemporary Art, Duffel (2018), AKA artist-run center,
Saskatoon (2016), Banff Center, Banff (2016), ISCP, Brooklyn (2012), and
S.M.A.K., Ghent (2006). Her site-specific public commissions include light
installations for the cities of Forest, Saint-Gilles, Ronse and Brussels (2020 -
2021), Moore Street Market, Brooklyn (2012), the Maalbeek tunnel, Brussels
Capital Region (2014). She has recently worked on projects in Shanghai,
Shenzhen, Hong Kong, Vancouver, San Diego, Chicago, Mexico City, Philadelphia,
New York, Antwerp & Brussels.
*** Français ***
Lotte Van den Audenaeren makes works that illuminate the material dimensions of
time as it takes shape in patches of natural sunlight, transient sounds, swathes
of fluorescent fabric, or decaying natural objects. With an artistic practice
that is open to the intentions and durations of her materials, she works with
time as though it were a strip of celluloid film—parsing, fixing, and editing
the fleeting moment through material processes such as bronze casting, glass
blowing, ceramic firing, and photography.Isabelle Lynch, Philadelphia, January
2020 Van den Audenaeren graduated with two Masters in Fine Arts from LUCA School
of Arts in Brussels and the Royal Academy of Fine Arts KASK in Ghent. She has
participated in solo and group exhibitions at national and international art
venues and institutions including Carriage Trade, New York City (2021), KAAP and
Mu.ZEE, Ostend (2020, 2021), Z33, Hasselt (2020), Kunst&Zwalm Biennial, Zwalm
(2019), Triennial for Contemporary Art, Duffel (2018), AKA artist-run center,
Saskatoon (2016), Banff Center, Banff (2016), ISCP, Brooklyn (2012), and
S.M.A.K., Ghent (2006). Her site-specific public commissions include light
installations for the cities of Forest, Saint-Gilles, Ronse and Brussels (2020 -
2021), Moore Street Market, Brooklyn (2012), the Maalbeek tunnel, Brussels
Capital Region (2014). She has recently worked on projects in Shanghai,
Shenzhen, Hong Kong, Vancouver, San Diego, Chicago, Mexico City, Philadelphia,
New York, Antwerp & Brussels.
*** English ***
Lotte Van den Audenaeren makes works that illuminate the material dimensions of
time as it takes shape in patches of natural sunlight, transient sounds, swathes
of fluorescent fabric, or decaying natural objects. With an artistic practice
that is open to the intentions and durations of her materials, she works with
time as though it were a strip of celluloid film—parsing, fixing, and editing
the fleeting moment through material processes such as bronze casting, glass
blowing, ceramic firing, and photography.Isabelle Lynch, Philadelphia, January
2020 Van den Audenaeren graduated with two Masters in Fine Arts from LUCA School
of Arts in Brussels and the Royal Academy of Fine Arts KASK in Ghent. She has
participated in solo and group exhibitions at national and international art
venues and institutions including Carriage Trade, New York City (2021), KAAP and
Mu.ZEE, Ostend (2020, 2021), Z33, Hasselt (2020), Kunst&Zwalm Biennial, Zwalm
(2019), Triennial for Contemporary Art, Duffel (2018), AKA artist-run center,
Saskatoon (2016), Banff Center, Banff (2016), ISCP, Brooklyn (2012), and
S.M.A.K., Ghent (2006). Her site-specific public commissions include light
installations for the cities of Forest, Saint-Gilles, Ronse and Brussels (2020 -
2021), Moore Street Market, Brooklyn (2012), the Maalbeek tunnel, Brussels
Capital Region (2014). She has recently worked on projects in Shanghai,
Shenzhen, Hong Kong, Vancouver, San Diego, Chicago, Mexico City, Philadelphia,
New York, Antwerp & Brussels.