» THE LAST RESORT (Oi!)
Please give a brief history of the band, including current line up.The band
originally formed in 1980 with the first gig at West London's Acklem Hall 4th
March 1981.The current line-up is me (Roi) on vocals, Chris Jones on drums, John
Pearce (no relation) on playing bass and Keith Hillyer on guitar.The band have
been back together in this format since 2000. We recorded eight tracks 18 months
ago, four old and four new including 'Working Class Kids' and 'Held Hostage'
from the Peel & Birdhouse session. Only one of the tracks has been released -
'We're Gonna Get You' was on 'Addicted To Oi!' under Millwall Roi. We have loads
of lyrics written and now we are just fitting riffs around the lyrics.
...
» THE TAKE NYC (Oi! / Punk / Hardcore)
Famed NYHC drummer Will Shepler (formerly of Agnostic Front, Madball) and Sick
Of It All bassist Craig Setari (also formerly Agnostic Front) had an idea for a
hardcore power trio. Will called longtime friend, guitarist/ vocalist Scott
Roberts (formerly of Biohazard, The Spudmonsters, Bloodclot!, Cro-Mags) who had
just left Biohazard only weeks before. It was perfect timing for Scott as he
wanted to move on and create something new from the ground up with complete
creative freedom and passion. Soon after, Scott and Will began working on what
would become The Take’s self titled debut record. Craig was busy with Sick Of It
All’s hectic touring schedule so Scott recruited friend and oi veteran Carlos
Congote (Royal Hounds, formerly of 45 Adapters, Urban Noise, Legion 76) to
complete the lineup.
The Take’s self titled debut LP (engineered, mixed and produced by Scott
Roberts) is scheduled for worldwide release on German label Demons Run Amok in
2019.
...
Magasin 4
Venue
Upcoming events
Past events
» CONFLICT (Punk)
Conflict represents both the best of the British anarcho punk scene and the
activism with which thousands in countries all over the world fight authority
and stand up for equality, justice and inclusion for humans and animals. Their
views are equally important as their music and they don't hesitate to let you
realize this while on stage. This band doesn't shy away from any confrontation
and has been an inspiration for numerous anarchists and rebellious minds for
over 40 years. Together, they are The Ungovernable Force.After several changes,
the current line-up is now very stable and these five musicians are able to play
songs from all ends of their long career.Conflict is currently working on a new
album, which will be released in the spring of 2024, after which the band will
embark again on a tour bringing them to all corners of the continent and beyond.
...
» WERLY (Punk / Crust)
WERLY has been existing in this line up since summer 2014 and was built on the
ashes of Life Is Damage. Ryton is on the drums, Sam and Vinnie on guitars, bass,
vocals (both are from Suit Side Vs Veda Plight) and Willy on vocals ( Hiatus, ex
Unhinged, Visions Of War, Skew Whiff, Trist, Twisted System..)
Lyrics are sometimes funny, sometimes badly talking about situations of life
instead of global problems. Music is decidedly punk with crusty touches,
exploring out of structures and noisy themes.
They released their first LP in 2017 called "Drown into vomit" (design by
Stephane Gillain) recorded by Gerald (Sandra Kill, The WRS, ex Le Prince Harry,
Suit Side vs Veda Plight, Warm Exit).
Before covid, they made several tours in France, Holland, Germany, Poland,
Czech, Austria.
They have now material to record another LP one of these days.
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» JILTED (Punk / Hardcore / Crust)
JILTED STARTED IN 1998 ON THE ASHES OF PERMANENT SCAR AND POINT OF
VIEW. THE SOUND OF THE BAND IS A RAW PUNK HARDCORE, SOMETHING
BETWEEN OLD ITALIAN BANDS AND SOME MORE HEAVY / D-BEAT STUFF WITH
SOCIO-POLITICAL LYRICS.
THE FIRST LINE-UP INCLUDED: FULVIO (BASS), ANDREA (GUITAR), KORO
(VOCALS), ALBERTO (DRUMS). WITH THIS LINE-UP THEY HAD THEIR FIRST GIGS,
RECORDED THEIR FIRST SONG "NO BUSINESS PUNK" THAT APPEARED ON THE
LP COMPILATION "PASTA POWER VIOLENCE 2" (S.O.A. RECORDS) AND
RECORDED THE FIRST 7"EP "LA MIA REALTA' “ ALSO RELEASED FOR S.O.A.
RECORDS. THE SONG “DISAGIO” ALSO APPEARED ON THE COMPILATION LP/CD
“CRITICAL PEDAGOGY” (SIX WEEKS RECORDS),
FEW MONTHS AFTER THE RELEASE OF THIS 7" ANDREA MOVED TO ROME AND
THE BAND DECIDED TO CONTINUE PLAYING AS A THREE PIECE, FULVIO (
GUITAR), ALBERTO (DRUMS) AND KORO (BASS + VOCALS). THEY RECORDED THE
SECOND 7"EP "FOLLIA OMICIDA" (ANGRY RECORDS), THEN ALBERTO LEFT THE
BAND AND THEIR FRIEND LOGO JOIN THE BAND ON DRUMS. THEY DID LOTS OF
SHOWS IN ITALY AND IN EUROPE WITH TONS OF COOL BANDS LIKE SIN
DIOS,WARCOLLAPSE, WOLFBRIGADE, MOB47, DOOM, OLHO DE GATO, VISIONS
OF WAR, DS-13, CLUSTER BOMB UNIT, ASOCIAL, KONTATTO,DIRTY POWER GAME,
NEID AND A GERMAN TOUR WITH BEYOND DESCRIPTION.
WITH THIS LINE-UP THEY RECORDED THE SPLIT LP WITH MURDER DISCO
EXPERIENCE, THE SPLIT CD WITH BEYOND DESCRIPTION, “VENTI DI GUERRA “
LP/CD AND THE SONG “VERSO LA MISERIA” APPEARED ON THE COMPILATION
LP+CD “NON UN SASSO INDIETRO VOL.2”.
IN 2018 THE LAST LINE-UP CHANGE WITH MATTIA ON DRUMS INSTEAD OF
LOGO.PLAYED SHOWS IN ITALY, HOLLAND, SLOVENIA, FRANCE, IN 2020 THEY
RECORDED “NELL'INGIUSTIZIA E NEL SILENZIO” OUT IN DECEMBER 2022 ON
DIGIPACK CD AND IN JUNE 2023 ON VINYL LP.
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» DOUBLE DARKNESS (Alternative)
L and S are two wandering souls in the scenery that is nowadays urban decay.
DD is the soundtrack they made of this walk towards the only certainty there is,
Death.
Songs for the end of the world and beyond, sweating what these two partners in
crime have been musically craving throughout the years.
No matter how hard or soft it sounds in their very own electronic fashion,
they're just on a quest for ultraviolence.Their first album "City Scars" will be
released on the 22nd March through Graveyard Dancefloor Records and Red Maze
Records.
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» STIEGLITZ (80's / Electronic / Retrowave)
Coming from a metal background (Speed Queen, Kate’s Acid, Soulcaster, Videmur),
Belgian composer and producer STIEGLITZ' first Synthwave EP 'Future Summer In A
Distant Past' (2017) was anode to '80s (-inspired) movies and videogames. Later
that same year a second EP titled 'Blood Will Have Blood' followed, telling a
supernatural story drenched in blood and vengeance. Fitting the theme,
STIEGLITZ' music also became darker and grittier.Building upon the foundations
and standards he set with his early work, his first long play 'For The Love Of
the Living Dead' (2018) saw STIEGLITZ bringing together influences that range
from melodic Synthwave and aggressive Darksynth to Funk and Metal. A perfect
example of the Belgian artist's musical evolution and proof that he’s equally
comfortable creating horror soundscapes, Synth Metal bangers or catchy and
groovy Synthwave with Nu Disco influences.In 2019, STIEGLITZ returned with his
second full album 'Burn The Night Away'. In addition to his trademark rocking
guitars and groovy parts, this time the Belgian artist decided to experiment
with vocals too, adding a New Wave flavor to his already multi-dimensional
songwriting. 'Burn The Night Away' is a fine example of creativity working in
perfect harmony with talent and musical maturity.Seamlessly transitioning from
the studio to the stage, STIEGLITZ's live performances are a sonic journey,
blending skillful synth manipulation with a contagious stage presence, ensuring
every show is an unforgettable experience. From the moment the first notes hit,
an electrifying synergy between artist and audience propels the crowd into a
euphoric dancefloor frenzy.
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» MINOS (Classical music / Electronica / Soundtrack)
\\ Narrative music for lunatic people //
Swiss One-man band based in Brussels.
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» LOVATARAXX (Electronic / Cold Wave)
Entre la danse des nerfs et les pilules cataleptique, Klaus Nomi, Klaus Schulze
ou Klaus Kinski, Lovataraxx est l’alliage accidentel des synthétiseurs de
cérémonie et des boites à rythme sérotonimiques. On entend parfois au loin les
vagissements d'un Alan Vega entremêlés d’accords mineurs et de vapeurs froides.
Leur new wave mâtinée d'EBM n'est pas sans rappeler quelques groupes phares de
la scène, dont Tuxedomoon, Absolute Body Control ou encore Kas Product. Frappant
au hasard et sans trop prévenir, Lovataraxx offre des bonbons aux inconnus
croisés sur la piste de danse, s'entoure de synthétiseurs en tous genres et de
téléviseurs cathodiques qui projettent des messages subliminaux pendant les
concerts.
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» OWLS (Electronic / Synth Wave)
OWLS is the creation of Irish midlands producer Emy Collum. Having spent time
behind the drums for indie bands, the darkwave specialist embarked on a solo
path and began to explore his deep love for the shadowy realms of postpunk,
techno and industrial music.He went on to release his debut single They Kill in
Nov 2021. Since then he's released his highly acclaimed EP End Me and singles
Swallow My Love & Bury Me. 2023 was a busy year with headline shows in Dublin,
Summer festival appearances and a slew of underground events. The Longford-based
artist has been honing his live set to deliver electrifying synth-punk shows in
the Irish underground scene and will release more pulsating music in Spring
2024.OWLS is a live electronic act with lots of vocal processing. Think
distorted synths meets otherworldly reverbs and delays. The project is at the
confluence of post-punk and techno. It's dark, fierce and takes you on a
tumultuous dance of life and death.The project has been in its live form for a
year. Live is where OWLS finds its place. It's a leap into the dark corners of
self and an exploration of mind & its fragility. There's a feeling like this
could all fall apart at any moment.This is a driving, mesmerizing haunt; a sound
of its own; an immediately recognizable silhouette in the nightscape. This
is OWLS.
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» FULL EARTH (Experimental / Stoner / Psychedelic)
„Cloud Sculptors’ is the debut album of the experimental Oslo based rock-quintet
‘Full Earth’. The band is headed by the drummer and composer Ingvald
Vassbø.With a deep connection to minimalist music, especially that of Terry
Riley’s organ works, and heavy stoner rock a.l.a. Sleep, High on Fire and Elder,
the Full Earth-sphere circles in on fuzzed out riffs, sonic experimentalism and
noise music.Cloud Sculptors, which is a kind of abstract, mythological and
psychedelic account, consists of six thoroughly composed and extensively
produced tracks. Four of them long-form, instrumental, fuzz-heavy and sludgy
compositions stretching towards the 20-minute mark. Echo Tears and Weltgeist are
two shorter organ compositions inspired by James Ferraro, Onehotrix Point Nevers
and Györgi Ligeti’s genius contributions to musical history. On Full Earth’s
debut album the inspirations and references coalesce in a wholesome, truly
progressive and vital way. In 2024 Full Earth will recreate and expand the Cloud
Sculptors universe in a hypnotic and intense concert experience.
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» BODY VOID (Metal / Doom / Death Metal)
Body Void originally formed in the spring of 2014 as Devoid with the aim to
combine the most extreme elements of hardcore punk and doom metal. Since
changing their name in 2016 with the release of their full-length debut, Ruins,
they’ve continued to evolve and progress. In 2021 they signed to Prosthetic
Records and released their third LP, Bury Me Beneath This Rotting Earth,
incorporating power electronics and drone into their sound.In 2023, they
returned with their most caustic and unhinged work to date. On their fourth
full-length Atrocity Machine, the trio turned further toward noise and
industrial. Inspired by acts such as Wolf Eyes, Pharmakon, and Killing Joke they
contorted their pulverizing style of doom to fully embody the nightmarish
reality of a country seemingly built only to exploit and punish.The band has
remained more active than ever in recent years. They’ve maintained a consistent
tour schedule since 2021, hitting the road with the likes of Primitive Man,
Uniform, Portrayal of Guilt, Mortiferum, Jarhead Fertilizer, Spirit Possession,
Elizabeth Color Wheel, and OvO, and appeared at such festivals as Roadburn,
Oblivion Access, and Levitation. In 2023, the band added Jacob Lee (Elder Devil,
Keeper, Hellish Form) to their live edition becoming a four piece.
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» EYE FLYS (Noise Rock / Sludge)
Eye Flys are a quintessentially Philadelphian band whose aggressive brand of
noise rock is leading a wave of bands that harken back to classic era AmRep
noise rock. Their rage is palpable and their wit is biting. Hailing from a city
with a rich history of labor activism, long associated with the hard working,
the underdog, the everyman. The trio’s grounded nature, one of whom is an active
trade union member, imbues their music with a distinctive fearlessness and
honesty. Their acerbic wit swiftly whittles matters down to their element, often
reveling in the perverse humor of our current state of being. Eye Flys are
unsparingly heavy, driven by the colossal rhythm section of bassist Kevin
Bernsten and drummer Patrick Forrest. Vocalist/guitarist Jake Smith delivers
sharp humor with a healthy dose of venom and bile with each bestial growl while
his dirty riffs roar at you. Recorded by Bernsten at his own Developing Nations
studio (Full of Hell, Integrity, Jarhead Fertilizer) and J Robbins’ The Magpie
Cage, the band’s self-titled album features artwork drawn by artist and drummer
John Herndon (Tortoise), known for his singular drawings and his band’s iconic
TNT cover. Eye Flys wades deeper into the muck and mire of modern living to take
an unflinching look at the horrors of late-stage capitalism and offer a caustic
remedy for its ravages.Expanding on their bludgeoning debut Tub of Lard, Eye
Flys is lean and aggressive, fast and unforgiving. “Trepanation Summer”’s
ferocious riffs bore directly into the skull, mimicking the crude pressure
release of the ancient surgical process of the same name, Smith crying to
“release the pressure” from within a wall of feedback. “Sleep Forever” throws
down a thrashing, infernal groove, demolishing all in its path as Smith’s craggy
guitar figures rise like toxic smoke from the devastation. “Draining Pus” revels
in septic sludge, while “Bananarchy Zoo” manages to strip things down to an even
more lean and incisive realization of the trio’s punishing sonic palette, in an
exploration of Smith’s love/hate relationship with his Florida roots.A wall of
rippling noise and distortion run as connecting threads through the album, the
band’s acerbic humor and raw emotion capturing the perspective and the
frustration of the hardworking everyman. The band grapples with the
repercussions of coping strategies with healthy skepticism and an eye on the
gallows. Eye Flys offers a reassuring reminder that you haven’t gone mad and
you’re not alone – that weird ‘n’ heavy music is still here as a respite from
the madness of modern living and an outlet for righteous rage.
...
» CERE (Post-hardcore / Noise Rock)
CERE is a trio from Brussels founded in 2020. Band's music could be described as
Noise-Punk. Constantly on the edge, CERE's music mixes raging vocals at the
borders of hardcore and 90's grunge, black metal & post-punk elements. Supported
by a fast and mastered rhythm section, their last record « Healing Fires » are
running at full speed, always looking for the perfect mix between chaos, energy
and melancholy.CERE est un trio originaire de Bruxelles fondé en 2020. Le groupe
opère dans un registre qu'on pourrait qualifier de Noise-Punk. Constamment sur
la corde raide, la musique de CERE mélange chant rageur aux frontières du
hardcore, envolées post-punk et autres éléments post-hardcore et grunge des
90's. Porté par une section rythmique redoutablement rapide et maitrisée, leur
dernier album "Healing Fires" est un joyeux bordel qui fonce à toute allure,
cherchant sans cesse à mélanger chaos, énergie et douce mélancolie.
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» SUICIDE COMMANDO (Electro / EBM / Industrial)
Going strong for 30 years, Suicide Commando have not only been pioneers of the
harder Electro genre, but continue being innovators up to this very day. Formed
in summer 1986 by Johan van Roy, the band made a name for itself through a
series of self-released tapes from the late Eighties to the early Nineties. When
the group released its first full-length CD „Critical Stage“ in 1994, it soon
would evolve into one of the most popular and important acts of the scene.On
this and all of the subsequent releases, Van Roy explores the dark side of
humanity with lashing beats, haunting atmospheric electronics and an addictively
psychotic and relentlessly aggressive vocal style. With eternal club hits, such
as the seminal „See You In Hell“ or “Hellraiser” and an impressive roster of
successful album releases, from the classics “Mindstrip”, „Axis Of Evil“, „Bind,
Torture, Kill“ and „Implements Of Hell“ to the apocalyptic 2013-masterpiece
„When Evil Speaks“, Suicide Commando continue to be genre-defining while always
evolving their very own trademark sound of synthetically-induced mayhem.They are
a regular guest at the biggest scene-related festivals around the world and are
renowned for their energetic stage performance. With an ever-growing rabid fan
base at their back, Suicide Commando are one of the most popular live acts of
the entire scene.
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» THE JUGGERNAUTS (EBM)
Belgian hard hitting contemporary Electronic Body musicThe Juggernauts (B) have
become one of the most important innovative and rejuvenating bands within the
(Belgian) Electronic Body Music circuit. Their first EP Phoenix (2013) and the
following debut album "The Juggernauts Are Coming" (2016) features
club-compatible tunes built on a minimalist foundation of beats, sequencer and
shouts.Just as the dictionary explains the term The Juggernauts, they are an
unstoppable destructive force and The Juggernauts' music blasts out of the
speakers as an energetic bastion of beats, bass and anger. Few contemporary
bands manage to channel the spirit of early EBM as brutally effectively as this
Belgian combo. Pounding drum machines and exciting sequences accompany frontman
Borg as he screams out all the anger, cynicism and social criticism out of his
system.While The Juggernauts undeniably share the spirit of bands like Front 242
or Nitzer Ebb, they do not fall into the retro or copy trap, but contribute
firmly to underground dance music, with a refreshingly hard and modern
approach.With songs such as their proven club hits "Phoenix", “Purge”, “Follow”
and “Fear”, the time has come for a real renaissance within Electronic Body
Music. Their extremely positive reception of their recently release Fear EP
(2023), by the music press as well as by The Juggernauts’ ever growing fanbase,
made it clear The Juggernauts’ freight-train is unstoppable still on the roll!
...
» DREADFOOL (Electro / Industrial)
Dreadfool est un projet électro-industriel de la région liégeoise, mené par
Benoît Buyse, qui a sévit sur les scènes du Royaume au début des années 2000.
Après 3 albums et diverses collaborations (Anamorphosis, Nihiliste, WÜLF7,
KRIEG-B), Dreadfool a sorti deux nouveaux albums. Atoms for Peace (2021) et The
Final Frontier (2023).
» FUCK MONEY (Experimental / Punk)
Fuck Money est un groupe américain de space punk basé à Austin, Texas. Le groupe
fait ses débuts en octobre 2021 et se compose des membres TaSzlin Trébuchet
(chant), Alton Jenkins (batterie), Bill Kenny (guitare lead), et Jeremy
Humphries (basse). Leur son s'inspire du punk rock, du bruit, de l'industriel,
de la musique extrême et d'autres sous-genres transgressifs. Fuck Money s'est
formé en 2020, pendant la seconde moitié de la pandémie de COVID. Après avoir
écrit leur premier EP, ils ont passé leur temps à enregistrer chez Arroyo Audio.
Le groupe s'est forgé une réputation en donnant des concerts DIY sporadiques et
énergiques dans des espaces liminaux situés dans les coins sombres de la ville.
Le Austin Chronicle a noté que "le tourbillon de feedback du groupe est à la
fois imposant et obscur - curieusement serein dans son refus de donner à son
agression sonore un visage humain clair". Leur chanteur est également connu pour
arborer un look imprévisible et séduisant à chaque concert.Leur premier EP,
‘Self Titled’, produit par Three One G est composé de six chansons de " space
punk " implacable, s'inspirant du punk, du bruit, de l'industriel et des
éléments de la musique extrême. Décrit comme " un Deerhoof enragé ", le travail
impitoyable et mélodique d'Alton Jenkins, associé à l'intensité viscérale du
leader TaSz Trébuchet, guide les auditeurs sur le chemin d'un comportement
sonore stimulant et époustouflant, agrémenté de mélodies de guitare mordantes et
hyper-mélodiques. Jesse F. Keeler, de Death From Above, explique l'EP en ces
termes : " Feeling at all costs " (Ressentir à tout prix). Si j'essayais
d'expliquer cela à quelqu'un qui n'a aucune référence, je dirais que c'est comme
une grenade. Il est difficile d'atteindre le fruit, mais l'effort en vaut la
peine.---Fuck Money is an American space punk band based in Austin, TX. The
group debuted in October 2021 consisting of members TaSzlin Trébuchet (vocals)
Alton Jenkins (drums), Bill Kenny (lead guitar), and Jeremy Humphries (bass
guitar). Their sound draws on punk rock, noise, industrial, extreme music and
other transgressive subgenres. Fuck Money was formed in 2020 during the latter
half of the COVID pandemic that year. After writing their first EP, they spent
their time recording at Arroyo Audio. The band has created a reputation of
performing high energy, sporadic DIY shows in liminal spaces throughout the dark
corners of the city-- The Austin Chronicle noted how “the band’s churning
feedback swirl is equal parts imposing and obfuscating – curiously serene in its
refusal to give its sonic-aggression a clear human face.” Their vocalist is also
known for donning an unpredictable and tantalizing look at each show.Fuck
Money’s debut self-titled EP on Three One G is six songs of unrelenting ‘space
punk,’ drawing influence from punk, noise, industrial, and extreme music
elements. Described as sounding like “a fully rabid Deerhoof,” the merciless &
melodic stick-work of Alton Jenkins, paired with the visceral intensity of
frontman TaSz Trébuchet, guides listeners down a path of challenging,
awe-inspiring sonic behavior adorned with biting yet hyper-melodic guitar
melodies. Death From Above’s Jesse F. Keeler aptly explains the EP simply as,
“Feeling at all costs. If I was trying to explain this to someone with no
reference, I’d say it was like a pomegranate. Challenging to get at the fruit,
but worth the effort.
...
» DEAF CLUB (Punk / Grindcore)
Deaf Club is a savage sound bath dripping with sardonicism: a blastbeat-centric
hardcore punk assault channeling crust, thrash, and grind (un)sensibilities.
Succinct pauses, surreal frequencies and effects, breakneck pace and sharply
hurled vocals characterize the band’s aesthetic, which seems as though it is
rooted in a sort of nasty-sound-meets-highbrow-message ethos. Fueled by he
onslaught of society’s insanity and driven mad by tinnitus, Justin Pearson (The
Locust, Dead Cross, Planet B), Brian Amalfitano (ACxDC), Scott Osment (Glassing,
Planet B), Jason Klein (Run With The Hunted, JR Slayer) approach music as an
opportunity to confront our collective sicknesses. The band initially released
their debut EP, Contemporary Sickness, as well as a Remix cassette EP of bonus
remixes via Three One G in 2019.Although Contemporary Sickness delivered its own
blastbeat-fueled urgency in message and tone, their debut full-length Productive
Disruption, released in 2022, ventured deeper into the abyss. Having had time to
stew in the cesspool of two years of pandemic and mutating into its newest
variant, the album presented a death threat to some, a love letter to others.
Most recently, the band released Bad Songs Forever, an EP on Three One G
Records. Here, Deaf Club yet again confidently emerged angrier, evolved, more
focused and thus, more dangerous. Since then the band has been continuously
touring primarily across America, while also playing the Roskilde Festival in
Denmark, and sharing the stage with bands such as Converge, Melt-Banana, John
Waters, Negative Approach, Napalm Death, Unbroken, and Saetia.
...
» YOUFF (Noise Rock)
Youff is a Belgian noise rock band with members of 30,000 Monkies, Crowd Of
Chairs, Maze and Mesher.
Known for their energetic live sets and raw, unnerving sound, they keep on
attacking the senses, one release at the time.
The band started out in 2014, drawing inspiration from local exemplars like Rise
and Fall or Hessian, as well as weirdo noise related acts such as Lighting Bolt,
Arab on Radar, Shit and Shine and Brainbombs.
...
» HORSKH (Electro / Industrial)
HORSKH is an abrasive, hard-hitting French band that blends metal, grunge and
electro influences with the latest, even futuristic, trends. Described as
neo-industrial, this trio develop a cataclysmic energy during their wild, yet
meticulous performances.Having toured all over Europe with bands such as
Perturbator, Health, Ministry and Igorrr, played at the Zenith in Paris to open
for Carpenter Brut, and abroad at festivals such as Brutal Assault, HORSKH is
back with a new album, BODY, both explosive and adventurous.HORSKH est un groupe
français abrasif et percutant qui mêle des influences Métal, grunge et electro à
ce qui se fait de plus actuel voire futuriste. Qualifiés de Néo industriel, ce
trio développe une énergie cataclysmique lors de leurs performances à la fois
sauvages et millimétrées.Après avoir tourné dans l'Europe entière avec des
groupes comme Perturbator, Health, Ministry, Igorrr, joué au Zénith de Paris en
ouverture de Carpenter Brut, ou à l'étranger dans des festivals comme le Brutal
assault, HORSKH revient avec un nouvel album, BODY, à la fois explosif et
aventureux.
...
» SANDRA KILL (Electro Punk)
Issu d'un trop long débat sur le rock'n'roll et les musiques digitales, c'est en
2016 que Jérôme, Antoine et Chi décidèrent de créer "Sandra Kill". Enchaînant
d'abord quelques concerts, ces trois musiciens aux influences aussi diverses
qu’éclectiques furent vite rejoints par Gérald à la batterie. Tous les quatre
peaufinèrent un style bien à eux oscillant entre bass music et rock'n'roll,
mélangeant les beats synthétiques, les gros riffs énervés
Un coup de molaire dans les couilles du machisme. C'est violent et c'est
dansant. NB: il n'y aura pas de confort-zone.
» PUTAN CLUB (Noise Rock / Electro)
(cf Lydia Lunch, Denis Lavant, Eugene S. Robinson, Lotfi Bouchnak…) : duo
italo-français. Avant-dance, avant-rock, électronique & attitude." Comment
avons-nous pu raté ça jusqu'aujourd'hui ? ...Une collision amoureuse entre Young
Gods, Nine Inch Nails et les premiers Ants quand les choses deviennent tribales
et ethno, le Putan Club développe un son étonnant et original - et le concert
est énorme. Le public est subjugué par le duo italo-français, si parfait et si
époustouflant qu'on reste bouche bée devant l'éclat. Le Putan Club est une
révélation détonante. Une fille aux cheveux de méduse qui roule la crasse de sa
basse avec un groove parfait et un connard à la guitare qui jette l’enfer. Ils
explosent, littéralement. Leur ordinateur prend en charge les corvées rythmiques
tandis que les riffs accrocheurs sont livrés avec un venin noisenik et une
puissance brute. Il y a le cliquetis et la mouture de l'industriel et la vision
avant-gardiste du post-punk ainsi qu’un groove tout-puissant de techno de la
mort qui croque dans l’Afrique brute et le funk primal. C'est le meilleur groupe
dont j'aurais dû entendre parler. Une priorité que vous devez écouter.
Maintenant ! " John Robb - LOUDER THAN WAR (UK, 2023)(see Lydia Lunch, Denis
Lavant, Eugene S. Robinson, Lotfi Bouchnak…): Italian-French duo. Avant-dance,
avant-rock, electronic & attitude."How did we miss this? A band is taking the
roof off the venue. Like a crush collusion between Young Gods, Nine Inch Nails,
and even the early Ants when things get tribal with their more chanting ethno
vocals and big rhymes, Putan Club have an astonishing and original sound and the
live show is enormous. The audience is transfixed by the Italian/French
two-piece who are so perfect and so stunning that you stand there open-mouthed
at their brilliance. Putan Club are a stunning revelation. A medusa curls haired
woman dealing bass filth with a perfect groove and a bequiffed man on guitar
twitching with expectation. They then literally just explode. Their drum machine
takes up the rhythm chores and the seering catchy riffs are delivered with a
noisenik venom and raw power. There is the clank and grind of industrial and the
forward vision of post-punk and an almighty groove of death disco which bites
into raw Africa then crunch into primal funk.They are the best band that I
should have heard of. The band are now an LTW priority that you must listen to.
Now!!! " John Robb - LOUDER THAN WAR (UK, 2023)
...
» VALGE TÜDRUK (Electronic)
un solo de l’Estonie. Provocation, groove, électronique, trash, post-internet,
techno & insoumission.a solo from Estonia. Provocation, groove, electronic,
trash, post-internet, techno & rebelliousness.
» MONDE DE MERDE (Metal / Punk)
« Tu te réveilles à 35 ans pour te demander ce que ça veut dire « Monde de Merde
»? c’est pas que t’es indiscret … C’est juste que t’es un con ! « (Le Grand
Détournement)La réunion de deux métalleux soucieux de punkiser leur métal et
deux punk-coreux s’étant juré de métalliser leur hardcore. Monde de Merde est un
cri de révolte lancé aux frères opprimés, porté par une voix féminine éraillée.
Un coup de genoux entre-jambiste assené à un monde cruellement auto-centré et
peu cocasse.Un bon vieux Punk-Hardcore qui fait la part belle au blast-grind,
sans pour autant omettre les riffs rock n’roll. On pense à GALLOWS, GHOST OF A
THOUSAND mouchant la chandelle avec F-MINUS ou TRAGEDY.Qu’on se le dise, Monde
de Merde n’est pas à prendre avec du pain sec et défi King Kong osera souiller
l’oeuvre majeure de George Abitbol.
...
» FRAU BLÜCHER & THE DRÜNKEN HORSES (Punk / Rock)
Frau Blücher and the drünken horses are a female fronted Punk N Roll band from
Brussels, Belgium. The band started in 2011 from what was initially meant to be
a one-time jam.The band released four full-length albums made of original
material only: "Quick & Dirty" (2013), "Lethal Pill Cocktail" (2014), "Über
Fenomenal" (2017) ans "Smile!" (2020). Frau Blücher's songs are written in the
vein of the 70's/80's Punk & Heavy Rock and inspired by the likes of the
Ramones, L7, Motörhead, Vice Squad, Plasmatics and many others.The concerts of
the Frau are direct, powerful, restless and highly participative! The band was
chosen to open for UK Subs, The Addicts, The Vibrators, The Lords Of Altamont,
Nashville Pussy and The BellRays among others.For the record, the name of the
band is taken from a character in Mel Brooks' movie "Young Frankenstein", a
woman who has a strange relationship with horses.
...
» VACANT DE SES CENDRES (Post punk / Punk)
Vacant de ses cendres est un groupe Belge qui qualifie sa musique d'approxipunk.
Les textes excistensialisto-poético-écorchés sont chantés en français sur un son
bien punk, bien énergique de basse, batterie, synthé et de guitare électrique
saturée. Un tout premier Lp "Quelle chance" est sorti en 2018 avec l'ancien
chanteur. Il est disponible sous format numérique sur Bandcamp. Après une pause,
suite au départ du chanteur, une nouvelle chanteuse rejoint le groupe en 2023 et
un second album "Balance ton corps" sortira en version CD tout prochainement et
en version vinyle un peu plus tard en 2024.
...
» SWIMMIN'POOR (Punk)