Magasin 4

Venue

Upcoming events

» THE LAST RESORT  (Oi!) Please give a brief history of the band, including current line up.The band originally formed in 1980 with the first gig at West London's Acklem Hall 4th March 1981.The current line-up is me (Roi) on vocals, Chris Jones on drums, John Pearce (no relation) on playing bass and Keith Hillyer on guitar.The band have been back together in this format since 2000. We recorded eight tracks 18 months ago, four old and four new including 'Working Class Kids' and 'Held Hostage' from the Peel & Birdhouse session. Only one of the tracks has been released - 'We're Gonna Get You' was on 'Addicted To Oi!' under Millwall Roi. We have loads of lyrics written and now we are just fitting riffs around the lyrics. ... » THE TAKE NYC  (Oi! / Punk / Hardcore) Famed NYHC drummer Will Shepler (formerly of Agnostic Front, Madball) and Sick Of It All bassist Craig Setari (also formerly Agnostic Front) had an idea for a hardcore power trio. Will called longtime friend, guitarist/ vocalist Scott Roberts (formerly of Biohazard, The Spudmonsters, Bloodclot!, Cro-Mags) who had just left Biohazard only weeks before. It was perfect timing for Scott as he wanted to move on and create something new from the ground up with complete creative freedom and passion. Soon after, Scott and Will began working on what would become The Take’s self titled debut record. Craig was busy with Sick Of It All’s hectic touring schedule so Scott recruited friend and oi veteran Carlos Congote (Royal Hounds, formerly of 45 Adapters, Urban Noise, Legion 76) to complete the lineup.  The Take’s self titled debut LP (engineered, mixed and produced by Scott Roberts) is scheduled for worldwide release on German label Demons Run Amok in 2019.  ...

Past events

» CONFLICT  (Punk) Conflict represents both the best of the British anarcho punk scene and the activism with which thousands in countries all over the world fight authority and stand up for equality, justice and inclusion for humans and animals. Their views are equally important as their music and they don't hesitate to let you realize this while on stage. This band doesn't shy away from any confrontation and has been an inspiration for numerous anarchists and rebellious minds for over 40 years. Together, they are The Ungovernable Force.After several changes, the current line-up is now very stable and these five musicians are able to play songs from all ends of their long career.Conflict is currently working on a new album, which will be released in the spring of 2024, after which the band will embark again on a tour bringing them to all corners of the continent and beyond. ... » WERLY  (Punk / Crust) WERLY has been existing in this line up since summer 2014 and was built on the ashes of Life Is Damage. Ryton is on the drums, Sam and Vinnie on guitars, bass, vocals (both are from Suit Side Vs Veda Plight) and Willy on vocals ( Hiatus, ex Unhinged, Visions Of War, Skew Whiff, Trist, Twisted System..) Lyrics are sometimes funny, sometimes badly talking about situations of life instead of global problems. Music is decidedly punk with crusty touches, exploring out of structures and noisy themes. They released their first LP in 2017 called "Drown into vomit" (design by Stephane Gillain) recorded by Gerald (Sandra Kill, The WRS, ex Le Prince Harry, Suit Side vs Veda Plight, Warm Exit). Before covid, they made several tours in France, Holland, Germany, Poland, Czech, Austria. They have now material to record another LP one of these days. ... » JILTED  (Punk / Hardcore / Crust) JILTED STARTED IN 1998 ON THE ASHES OF PERMANENT SCAR AND POINT OF VIEW. THE SOUND OF THE BAND IS A RAW PUNK HARDCORE, SOMETHING BETWEEN OLD ITALIAN BANDS AND SOME MORE HEAVY / D-BEAT STUFF WITH SOCIO-POLITICAL LYRICS. THE FIRST LINE-UP INCLUDED: FULVIO (BASS), ANDREA (GUITAR), KORO (VOCALS), ALBERTO (DRUMS). WITH THIS LINE-UP THEY HAD THEIR FIRST GIGS, RECORDED THEIR FIRST SONG "NO BUSINESS PUNK" THAT APPEARED ON THE LP COMPILATION "PASTA POWER VIOLENCE 2" (S.O.A. RECORDS) AND RECORDED THE FIRST 7"EP "LA MIA REALTA' “ ALSO RELEASED FOR S.O.A. RECORDS. THE SONG “DISAGIO” ALSO APPEARED ON THE COMPILATION LP/CD “CRITICAL PEDAGOGY” (SIX WEEKS RECORDS), FEW MONTHS AFTER THE RELEASE OF THIS 7" ANDREA MOVED TO ROME AND THE BAND DECIDED TO CONTINUE PLAYING AS A THREE PIECE, FULVIO ( GUITAR), ALBERTO (DRUMS) AND KORO (BASS + VOCALS). THEY RECORDED THE SECOND 7"EP "FOLLIA OMICIDA" (ANGRY RECORDS), THEN ALBERTO LEFT THE BAND AND THEIR FRIEND LOGO JOIN THE BAND ON DRUMS. THEY DID LOTS OF SHOWS IN ITALY AND IN EUROPE WITH TONS OF COOL BANDS LIKE SIN DIOS,WARCOLLAPSE, WOLFBRIGADE, MOB47, DOOM, OLHO DE GATO, VISIONS OF WAR, DS-13, CLUSTER BOMB UNIT, ASOCIAL, KONTATTO,DIRTY POWER GAME, NEID AND A GERMAN TOUR WITH BEYOND DESCRIPTION. WITH THIS LINE-UP THEY RECORDED THE SPLIT LP WITH MURDER DISCO EXPERIENCE, THE SPLIT CD WITH BEYOND DESCRIPTION, “VENTI DI GUERRA “ LP/CD AND THE SONG “VERSO LA MISERIA” APPEARED ON THE COMPILATION LP+CD “NON UN SASSO INDIETRO VOL.2”. IN 2018 THE LAST LINE-UP CHANGE WITH MATTIA ON DRUMS INSTEAD OF LOGO.PLAYED SHOWS IN ITALY, HOLLAND, SLOVENIA, FRANCE, IN 2020 THEY RECORDED “NELL'INGIUSTIZIA E NEL SILENZIO” OUT IN DECEMBER 2022 ON DIGIPACK CD AND IN JUNE 2023 ON VINYL LP. ...
» DOUBLE DARKNESS  (Alternative) L and S are two wandering souls in the scenery that is nowadays urban decay. DD is the soundtrack they made of this walk towards the only certainty there is, Death. Songs for the end of the world and beyond, sweating what these two partners in crime have been musically craving throughout the years. No matter how hard or soft it sounds in their very own electronic fashion, they're just on a quest for ultraviolence.Their first album "City Scars" will be released on the 22nd March through Graveyard Dancefloor Records and Red Maze Records. ... » STIEGLITZ  (80's / Electronic / Retrowave) Coming from a metal background (Speed Queen, Kate’s Acid, Soulcaster, Videmur), Belgian composer and producer STIEGLITZ' first Synthwave EP 'Future Summer In A Distant Past' (2017) was anode to '80s (-inspired) movies and videogames. Later that same year a second EP titled 'Blood Will Have Blood' followed, telling a supernatural story drenched in blood and vengeance. Fitting the theme, STIEGLITZ' music also became darker and grittier.Building upon the foundations and standards he set with his early work, his first long play 'For The Love Of the Living Dead' (2018) saw STIEGLITZ bringing together influences that range from melodic Synthwave and aggressive Darksynth to Funk and Metal. A perfect example of the Belgian artist's musical evolution and proof that he’s equally comfortable creating horror soundscapes, Synth Metal bangers or catchy and groovy Synthwave with Nu Disco influences.In 2019, STIEGLITZ returned with his second full album 'Burn The Night Away'. In addition to his trademark rocking guitars and groovy parts, this time the Belgian artist decided to experiment with vocals too, adding a New Wave flavor to his already multi-dimensional songwriting. 'Burn The Night Away' is a fine example of creativity working in perfect harmony with talent and musical maturity.Seamlessly transitioning from the studio to the stage, STIEGLITZ's live performances are a sonic journey, blending skillful synth manipulation with a contagious stage presence, ensuring every show is an unforgettable experience. From the moment the first notes hit, an electrifying synergy between artist and audience propels the crowd into a euphoric dancefloor frenzy. ... » MINOS  (Classical music / Electronica / Soundtrack) \\ Narrative music for lunatic people // Swiss One-man band based in Brussels. ...
» LOVATARAXX  (Electronic / Cold Wave) Entre la danse des nerfs et les pilules cataleptique, Klaus Nomi, Klaus Schulze ou Klaus Kinski, Lovataraxx est l’alliage accidentel des synthétiseurs de cérémonie et des boites à rythme sérotonimiques. On entend parfois au loin les vagissements d'un Alan Vega entremêlés d’accords mineurs et de vapeurs froides. Leur new wave mâtinée d'EBM n'est pas sans rappeler quelques groupes phares de la scène, dont Tuxedomoon, Absolute Body Control ou encore Kas Product. Frappant au hasard et sans trop prévenir, Lovataraxx offre des bonbons aux inconnus croisés sur la piste de danse,  s'entoure de synthétiseurs en tous genres et de téléviseurs cathodiques qui projettent des messages subliminaux pendant les concerts.  ... » OWLS  (Electronic / Synth Wave) OWLS is the creation of Irish midlands producer Emy Collum. Having spent time behind the drums for indie bands, the darkwave specialist embarked on a solo path and began to explore his deep love for the shadowy realms of postpunk, techno and industrial music.He went on to release his debut single They Kill in Nov 2021. Since then he's released his highly acclaimed EP End Me and singles Swallow My Love & Bury Me. 2023 was a busy year with headline shows in Dublin, Summer festival appearances and a slew of underground events. The Longford-based artist has been honing his live set to deliver electrifying synth-punk shows in the Irish underground scene and will release more pulsating music in Spring 2024.OWLS is a live electronic act with lots of vocal processing. Think distorted synths meets otherworldly reverbs and delays. The project is at the confluence of post-punk and techno. It's dark, fierce and takes you on a tumultuous dance of life and death.The project has been in its live form for a year. Live is where OWLS finds its place. It's a leap into the dark corners of self and an exploration of mind & its fragility. There's a feeling like this could all fall apart at any moment.This is a driving, mesmerizing haunt; a sound of its own; an immediately recognizable silhouette in the nightscape. This is OWLS. ...
» FULL EARTH  (Experimental / Stoner / Psychedelic) „Cloud Sculptors’ is the debut album of the experimental Oslo based rock-quintet ‘Full Earth’.  The band is headed by the drummer and composer Ingvald Vassbø.With a deep connection to minimalist music, especially that of Terry Riley’s organ works, and heavy stoner rock a.l.a. Sleep, High on Fire and Elder, the Full Earth-sphere circles in on fuzzed out riffs, sonic experimentalism and noise music.Cloud Sculptors, which is a kind of abstract, mythological and psychedelic account, consists of six thoroughly composed and extensively produced tracks. Four of them long-form, instrumental, fuzz-heavy and sludgy compositions stretching towards the 20-minute mark. Echo Tears and Weltgeist are two shorter organ compositions inspired by James Ferraro, Onehotrix Point Nevers and Györgi Ligeti’s genius contributions to musical history. On Full Earth’s debut album the inspirations and references coalesce in a wholesome, truly progressive and vital way. In 2024 Full Earth will recreate and expand the Cloud Sculptors universe in a hypnotic and intense concert experience. ...
» BODY VOID  (Metal / Doom / Death Metal) Body Void originally formed in the spring of 2014 as Devoid with the aim to combine the most extreme elements of hardcore punk and doom metal. Since changing their name in 2016 with the release of their full-length debut, Ruins, they’ve continued to evolve and progress. In 2021 they signed to Prosthetic Records and released their third LP, Bury Me Beneath This Rotting Earth, incorporating power electronics and drone into their sound.In 2023, they returned with their most caustic and unhinged work to date. On their fourth full-length Atrocity Machine, the trio turned further toward noise and industrial. Inspired by acts such as Wolf Eyes, Pharmakon, and Killing Joke they contorted their pulverizing style of doom to fully embody the nightmarish reality of a country seemingly built only to exploit and punish.The band has remained more active than ever in recent years. They’ve maintained a consistent tour schedule since 2021, hitting the road with the likes of Primitive Man, Uniform, Portrayal of Guilt, Mortiferum, Jarhead Fertilizer, Spirit Possession, Elizabeth Color Wheel, and OvO, and appeared at such festivals as Roadburn, Oblivion Access, and Levitation. In 2023, the band added Jacob Lee (Elder Devil, Keeper, Hellish Form) to their live edition becoming a four piece. ... » EYE FLYS  (Noise Rock / Sludge) Eye Flys are a quintessentially Philadelphian band whose aggressive brand of noise rock is leading a wave of bands that harken back to classic era AmRep noise rock. Their rage is palpable and their wit is biting. Hailing from a city with a rich history of labor activism, long associated with the hard working, the underdog, the everyman. The trio’s grounded nature, one of whom is an active trade union member, imbues their music with a distinctive fearlessness and honesty. Their acerbic wit swiftly whittles matters down to their element, often reveling in the perverse humor of our current state of being. Eye Flys are unsparingly heavy, driven by the colossal rhythm section of bassist Kevin Bernsten and drummer Patrick Forrest. Vocalist/guitarist Jake Smith delivers sharp humor with a healthy dose of venom and bile with each bestial growl while his dirty riffs roar at you. Recorded by Bernsten at his own Developing Nations studio (Full of Hell, Integrity, Jarhead Fertilizer) and J Robbins’ The Magpie Cage, the band’s self-titled album features artwork drawn by artist and drummer John Herndon (Tortoise), known for his singular drawings and his band’s iconic TNT cover. Eye Flys wades deeper into the muck and mire of modern living to take an unflinching look at the horrors of late-stage capitalism and offer a caustic remedy for its ravages.Expanding on their bludgeoning debut Tub of Lard, Eye Flys is lean and aggressive, fast and unforgiving. “Trepanation Summer”’s ferocious riffs bore directly into the skull, mimicking the crude pressure release of the ancient surgical process of the same name, Smith crying to “release the pressure” from within a wall of feedback. “Sleep Forever” throws down a thrashing, infernal groove, demolishing all in its path as Smith’s craggy guitar figures rise like toxic smoke from the devastation. “Draining Pus” revels in septic sludge, while “Bananarchy Zoo” manages to strip things down to an even more lean and incisive realization of the trio’s punishing sonic palette, in an exploration of Smith’s love/hate relationship with his Florida roots.A wall of rippling noise and distortion run as connecting threads through the album, the band’s acerbic humor and raw emotion capturing the perspective and the frustration of the hardworking everyman. The band grapples with the repercussions of coping strategies with healthy skepticism and an eye on the gallows. Eye Flys offers a reassuring reminder that you haven’t gone mad and you’re not alone – that weird ‘n’ heavy music is still here as a respite from the madness of modern living and an outlet for righteous rage. ... » CERE  (Post-hardcore / Noise Rock) CERE is a trio from Brussels founded in 2020. Band's music could be described as Noise-Punk. Constantly on the edge, CERE's music mixes raging vocals at the borders of hardcore and 90's grunge, black metal & post-punk elements. Supported by a fast and mastered rhythm section, their last record « Healing Fires » are running at full speed, always looking for the perfect mix between chaos, energy and melancholy.CERE est un trio originaire de Bruxelles fondé en 2020. Le groupe opère dans un registre qu'on pourrait qualifier de Noise-Punk. Constamment sur la corde raide, la musique de CERE mélange chant rageur aux frontières du hardcore, envolées post-punk et autres éléments post-hardcore et grunge des 90's. Porté par une section rythmique redoutablement rapide et maitrisée, leur dernier album "Healing Fires" est un joyeux bordel qui fonce à toute allure, cherchant sans cesse à mélanger chaos, énergie et douce mélancolie. ...
» SUICIDE COMMANDO  (Electro / EBM / Industrial) Going strong for 30 years, Suicide Commando have not only been pioneers of the harder Electro genre, but continue being innovators up to this very day. Formed in summer 1986 by Johan van Roy, the band made a name for itself through a series of self-released tapes from the late Eighties to the early Nineties. When the group released its first full-length CD „Critical Stage“ in 1994, it soon would evolve into one of the most popular and important acts of the scene.On this and all of the subsequent releases, Van Roy explores the dark side of humanity with lashing beats, haunting atmospheric electronics and an addictively psychotic and relentlessly aggressive vocal style. With eternal club hits, such as the seminal „See You In Hell“ or “Hellraiser” and an impressive roster of successful album releases, from the classics “Mindstrip”, „Axis Of Evil“, „Bind, Torture, Kill“ and „Implements Of Hell“ to the apocalyptic 2013-masterpiece „When Evil Speaks“, Suicide Commando continue to be genre-defining while always evolving their very own trademark sound of synthetically-induced mayhem.They are a regular guest at the biggest scene-related festivals around the world and are renowned for their energetic stage performance. With an ever-growing rabid fan base at their back, Suicide Commando are one of the most popular live acts of the entire scene. ... » THE JUGGERNAUTS  (EBM) Belgian hard hitting contemporary Electronic Body musicThe Juggernauts (B) have become one of the most important innovative and rejuvenating bands within the (Belgian) Electronic Body Music circuit. Their first EP Phoenix (2013) and the following debut album "The Juggernauts Are Coming" (2016) features club-compatible tunes built on a minimalist foundation of beats, sequencer and shouts.Just as the dictionary explains the term The Juggernauts, they are an unstoppable destructive force and The Juggernauts' music blasts out of the speakers as an energetic bastion of beats, bass and anger. Few contemporary bands manage to channel the spirit of early EBM as brutally effectively as this Belgian combo. Pounding drum machines and exciting sequences accompany frontman Borg as he screams out all the anger, cynicism and social criticism out of his system.While The Juggernauts undeniably share the spirit of bands like Front 242 or Nitzer Ebb, they do not fall into the retro or copy trap, but contribute firmly to underground dance music, with a refreshingly hard and modern approach.With songs such as their proven club hits "Phoenix", “Purge”, “Follow” and “Fear”, the time has come for a real renaissance within Electronic Body Music. Their extremely positive reception of their recently release Fear EP (2023), by the music press as well as by The Juggernauts’ ever growing fanbase, made it clear The Juggernauts’ freight-train is unstoppable still on the roll! ... » DREADFOOL  (Electro / Industrial) Dreadfool est un projet électro-industriel de la région liégeoise, mené par Benoît Buyse, qui a sévit sur les scènes du Royaume au début des années 2000. Après 3 albums et diverses collaborations (Anamorphosis, Nihiliste, WÜLF7, KRIEG-B), Dreadfool a sorti deux nouveaux albums. Atoms for Peace (2021) et The Final Frontier (2023).
» FUCK MONEY  (Experimental / Punk) Fuck Money est un groupe américain de space punk basé à Austin, Texas. Le groupe fait ses débuts en octobre 2021 et se compose des membres TaSzlin Trébuchet (chant), Alton Jenkins (batterie), Bill Kenny (guitare lead), et Jeremy Humphries (basse). Leur son s'inspire du punk rock, du bruit, de l'industriel, de la musique extrême et d'autres sous-genres transgressifs. Fuck Money s'est formé en 2020, pendant la seconde moitié de la pandémie de COVID. Après avoir écrit leur premier EP, ils ont passé leur temps à enregistrer chez Arroyo Audio. Le groupe s'est forgé une réputation en donnant des concerts DIY sporadiques et énergiques dans des espaces liminaux situés dans les coins sombres de la ville. Le Austin Chronicle a noté que "le tourbillon de feedback du groupe est à la fois imposant et obscur - curieusement serein dans son refus de donner à son agression sonore un visage humain clair". Leur chanteur est également connu pour arborer un look imprévisible et séduisant à chaque concert.Leur premier EP, ‘Self Titled’, produit par Three One G est composé de six chansons de " space punk " implacable, s'inspirant du punk, du bruit, de l'industriel et des éléments de la musique extrême. Décrit comme " un Deerhoof enragé ", le travail impitoyable et mélodique d'Alton Jenkins, associé à l'intensité viscérale du leader TaSz Trébuchet, guide les auditeurs sur le chemin d'un comportement sonore stimulant et époustouflant, agrémenté de mélodies de guitare mordantes et hyper-mélodiques. Jesse F. Keeler, de Death From Above, explique l'EP en ces termes : " Feeling at all costs " (Ressentir à tout prix). Si j'essayais d'expliquer cela à quelqu'un qui n'a aucune référence, je dirais que c'est comme une grenade. Il est difficile d'atteindre le fruit, mais l'effort en vaut la peine.---Fuck Money is an American space punk band based in Austin, TX. The group debuted in October 2021 consisting of members TaSzlin Trébuchet (vocals) Alton Jenkins (drums), Bill Kenny (lead guitar), and Jeremy Humphries (bass guitar). Their sound draws on punk rock, noise, industrial, extreme music and other transgressive subgenres. Fuck Money was formed in 2020 during the latter half of the COVID pandemic that year. After writing their first EP, they spent their time recording at Arroyo Audio. The band has created a reputation of performing high energy, sporadic DIY shows in liminal spaces throughout the dark corners of the city-- The Austin Chronicle noted how “the band’s churning feedback swirl is equal parts imposing and obfuscating – curiously serene in its refusal to give its sonic-aggression a clear human face.” Their vocalist is also known for donning an unpredictable and tantalizing look at each show.Fuck Money’s debut self-titled EP on Three One G is six songs of unrelenting ‘space punk,’ drawing influence from punk, noise, industrial, and extreme music elements. Described as sounding like “a fully rabid Deerhoof,” the merciless & melodic stick-work of Alton Jenkins, paired with the visceral intensity of frontman TaSz Trébuchet, guides listeners down a path of challenging, awe-inspiring sonic behavior adorned with biting yet hyper-melodic guitar melodies. Death From Above’s Jesse F. Keeler aptly explains the EP simply as, “Feeling at all costs. If I was trying to explain this to someone with no reference, I’d say it was like a pomegranate. Challenging to get at the fruit, but worth the effort. ... » DEAF CLUB  (Punk / Grindcore) Deaf Club is a savage sound bath dripping with sardonicism: a blastbeat-centric hardcore punk assault channeling crust, thrash, and grind (un)sensibilities. Succinct pauses, surreal frequencies and effects, breakneck pace and sharply hurled vocals characterize the band’s aesthetic, which seems as though it is rooted in a sort of nasty-sound-meets-highbrow-message ethos. Fueled by he onslaught of society’s insanity and driven mad by tinnitus, Justin Pearson (The Locust, Dead Cross, Planet B), Brian Amalfitano (ACxDC), Scott Osment (Glassing, Planet B), Jason Klein (Run With The Hunted, JR Slayer) approach music as an opportunity to confront our collective sicknesses. The band initially released their debut EP, Contemporary Sickness, as well as a Remix cassette EP of bonus remixes via Three One G in 2019.Although Contemporary Sickness delivered its own blastbeat-fueled urgency in message and tone, their debut full-length Productive Disruption, released in 2022, ventured deeper into the abyss. Having had time to stew in the cesspool of two years of pandemic and mutating into its newest variant, the album presented a death threat to some, a love letter to others. Most recently, the band released Bad Songs Forever, an EP on Three One G Records. Here, Deaf Club yet again confidently emerged angrier, evolved, more focused and thus, more dangerous. Since then the band has been continuously touring primarily across America, while also playing the Roskilde Festival in Denmark, and sharing the stage with bands such as Converge, Melt-Banana, John Waters, Negative Approach, Napalm Death, Unbroken, and Saetia.  ... » YOUFF  (Noise Rock) Youff is a Belgian noise rock band with members of 30,000 Monkies, Crowd Of Chairs, Maze and Mesher. Known for their energetic live sets and raw, unnerving sound, they keep on attacking the senses, one release at the time.  The band started out in 2014, drawing inspiration from local exemplars like Rise and Fall or Hessian, as well as weirdo noise related acts such as Lighting Bolt, Arab on Radar, Shit and Shine and Brainbombs. ...
» HORSKH  (Electro / Industrial) HORSKH is an abrasive, hard-hitting French band that blends metal, grunge and electro influences with the latest, even futuristic, trends. Described as neo-industrial, this trio develop a cataclysmic energy during their wild, yet meticulous performances.Having toured all over Europe with bands such as Perturbator, Health, Ministry and Igorrr, played at the Zenith in Paris to open for Carpenter Brut, and abroad at festivals such as Brutal Assault, HORSKH is back with a new album, BODY, both explosive and adventurous.HORSKH est un groupe français abrasif et percutant qui mêle des influences Métal, grunge et electro à ce qui se fait de plus actuel voire futuriste. Qualifiés de Néo industriel, ce trio développe une énergie cataclysmique lors de leurs performances à la fois sauvages et millimétrées.Après avoir tourné dans l'Europe entière avec des groupes comme Perturbator, Health, Ministry, Igorrr, joué au Zénith de Paris en ouverture de Carpenter Brut, ou à l'étranger dans des festivals comme le Brutal assault, HORSKH revient avec un nouvel album, BODY, à la fois explosif et aventureux. ... » SANDRA KILL  (Electro Punk) Issu d'un trop long débat sur le rock'n'roll et les musiques digitales, c'est en 2016 que Jérôme, Antoine et Chi décidèrent de créer "Sandra Kill". Enchaînant d'abord quelques concerts, ces trois musiciens aux influences aussi diverses qu’éclectiques furent vite rejoints par Gérald à la batterie. Tous les quatre peaufinèrent un style bien à eux oscillant entre bass music et rock'n'roll, mélangeant les beats synthétiques, les gros riffs énervés
Un coup de molaire dans les couilles du machisme. C'est violent et c'est dansant. NB: il n'y aura pas de confort-zone. » PUTAN CLUB  (Noise Rock / Electro) (cf Lydia Lunch, Denis Lavant, Eugene S. Robinson, Lotfi Bouchnak…) : duo italo-français. Avant-dance, avant-rock, électronique & attitude." Comment avons-nous pu raté ça jusqu'aujourd'hui ? ...Une collision amoureuse entre Young Gods, Nine Inch Nails et les premiers Ants quand les choses deviennent tribales et ethno, le Putan Club développe un son étonnant et original - et le concert est énorme. Le public est subjugué par le duo italo-français, si parfait et si époustouflant qu'on reste bouche bée devant l'éclat. Le Putan Club est une révélation détonante. Une fille aux cheveux de méduse qui roule la crasse de sa basse avec un groove parfait et un connard à la guitare qui jette l’enfer. Ils explosent, littéralement. Leur ordinateur prend en charge les corvées rythmiques tandis que les riffs accrocheurs sont livrés avec un venin noisenik et une puissance brute. Il y a le cliquetis et la mouture de l'industriel et la vision avant-gardiste du post-punk ainsi qu’un groove tout-puissant de techno de la mort qui croque dans l’Afrique brute et le funk primal. C'est le meilleur groupe dont j'aurais dû entendre parler. Une priorité que vous devez écouter. Maintenant ! " John Robb - LOUDER THAN WAR (UK, 2023)(see Lydia Lunch, Denis Lavant, Eugene S. Robinson, Lotfi Bouchnak…): Italian-French duo. Avant-dance, avant-rock, electronic & attitude."How did we miss this? A band is taking the roof off the venue. Like a crush collusion between Young Gods, Nine Inch Nails, and even the early Ants when things get tribal with their more chanting ethno vocals and big rhymes, Putan Club have an astonishing and original sound and the live show is enormous. The audience is transfixed by the Italian/French two-piece who are so perfect and so stunning that you stand there open-mouthed at their brilliance. Putan Club are a stunning revelation. A medusa curls haired woman dealing bass filth with a perfect groove and a bequiffed man on guitar twitching with expectation. They then literally just explode. Their drum machine takes up the rhythm chores and the seering catchy riffs are delivered with a noisenik venom and raw power. There is the clank and grind of industrial and the forward vision of post-punk and an almighty groove of death disco which bites into raw Africa then crunch into primal funk.They are the best band that I should have heard of. The band are now an LTW priority that you must listen to. Now!!! " John Robb - LOUDER THAN WAR (UK, 2023) ... » VALGE TÜDRUK  (Electronic) un solo de l’Estonie. Provocation, groove, électronique, trash, post-internet, techno & insoumission.a solo from Estonia. Provocation, groove, electronic, trash, post-internet, techno & rebelliousness.
» MONDE DE MERDE  (Metal / Punk) « Tu te réveilles à 35 ans pour te demander ce que ça veut dire « Monde de Merde »? c’est pas que t’es indiscret … C’est juste que t’es un con ! « (Le Grand Détournement)La réunion de deux métalleux soucieux de punkiser leur métal et deux punk-coreux s’étant juré de métalliser leur hardcore. Monde de Merde est un cri de révolte lancé aux frères opprimés, porté par une voix féminine éraillée. Un coup de genoux entre-jambiste assené à un monde cruellement auto-centré et peu cocasse.Un bon vieux Punk-Hardcore qui fait la part belle au blast-grind, sans pour autant omettre les riffs rock n’roll. On pense à GALLOWS, GHOST OF A THOUSAND mouchant la chandelle avec F-MINUS ou TRAGEDY.Qu’on se le dise, Monde de Merde n’est pas à prendre avec du pain sec et défi King Kong osera souiller l’oeuvre majeure de George Abitbol. ... » FRAU BLÜCHER & THE DRÜNKEN HORSES  (Punk / Rock) Frau Blücher and the drünken horses are a female fronted Punk N Roll band from Brussels, Belgium. The band started in 2011 from what was initially meant to be a one-time jam.The band released four full-length albums made of original material only: "Quick & Dirty" (2013), "Lethal Pill Cocktail" (2014), "Über Fenomenal" (2017) ans "Smile!" (2020). Frau Blücher's songs are written in the vein of the 70's/80's Punk & Heavy Rock and inspired by the likes of the Ramones, L7, Motörhead, Vice Squad, Plasmatics and many others.The concerts of the Frau are direct, powerful, restless and highly participative! The band was chosen to open for UK Subs, The Addicts, The Vibrators, The Lords Of Altamont, Nashville Pussy and The BellRays among others.For the record, the name of the band is taken from a character in Mel Brooks' movie "Young Frankenstein", a woman who has a strange relationship with horses. ... » VACANT DE SES CENDRES  (Post punk / Punk) Vacant de ses cendres est un groupe Belge qui qualifie sa musique d'approxipunk. Les textes excistensialisto-poético-écorchés sont chantés en français sur un son bien punk, bien énergique de basse, batterie, synthé et de guitare électrique saturée. Un tout premier Lp "Quelle chance" est sorti en 2018 avec l'ancien chanteur. Il est disponible sous format numérique sur Bandcamp. Après une pause, suite au départ du chanteur, une nouvelle chanteuse rejoint le groupe en 2023 et un second album "Balance ton corps" sortira en version CD tout prochainement et en version vinyle un peu plus tard en 2024. ... » SWIMMIN'POOR  (Punk)