Since time immemorial, mankind has been looking for eternal life. This
exhibition in the House of Alijn takes you on a journey of discovery through the
aids we used in the 20th and 21st centuries in the hope of achieving a long,
healthy and happy life.
Every day, we come across all kinds of advice to take better care of ourselves,
both physically and mentally. Throughout the ages, the ideas about this topic
have changed, and science, the government, the media and advertising have come
to play a bigger role. This exhibition will tell you all about it. Families with
children aged 5 to 12 can go on a special family tour of the exhibition.
Are you driving to Ghent? First check whether you may enter the city centre with
your vehicle. Clean vehicles may enter the city centre free of charge, polluting
vehicles have to pay. Is your vehicle allowed to enter, but do you not have a
Belgian or Dutch number plate? You will ALWAYS have to register!
Together: Collaborative Art Practices
Beschrijving
In visual arts, collaboration is often secondary to the romanticised idea of individual artistic genius. Challenging the myth of the solitary artist, this exhibition explores the unique dynamic of collective creativity and looks at how it influences artistic production.
In addition to works from the S.M.A.K. collection, created between 1959 and 2021 by art collectives, artist duos or one–off collaborations, this exhibition also displays works deliberately designed to facilitate other works of art.
Includes works by: Philip Metten, Art & Language, Denicolai & Provoost, Bernd & Hilla Becher, Jos De Gruyter & Harald Thys, Flexboj & L.A., Narcisse Tordoir & David Neirings, General Idea, Gilbert & George, HAP, David Hammons & Bruna Esposito, Franz West, Heimo Zobernig, Danh Vo, Apparatus 22, Ex-artists' collective (Anikó Loránt, Kaszás Tamás), Audrey Cottin, Alexis Gautier, Anna & Bernard Blume, Brosi & Bonier, Engelbert Van Anderlecht & Jean Dypréau, SUPERFLEX, Marina Abràmovic & Jan Hoet, Guillaume Bijl, Allora & Calzadilla, Jacques Charlier, Korakrit Arunanondchai, Mekhitar Garabedian, Ingrid Mwangi and Robert Hutter.
Kunst
Museum
Tickets
Accessible with a CityCard Gent
Gratis
Reduced rate for escorts accompanying persons with disabilities
Gratis
Reduction -19 years
Gratis
Reduction -26 years
2€
Gentenaars
8€
Reduction groups min. 15 pers.
11€
Basic price
13€
Info & Reservering
1 foto
Voorgestelde evenementen
The procession of Emperor Charles and the noose bearers commemorates the public
humiliation of the Ghent notable citizens by Emperor Charles V in May 1540.
In Medieval times, Ghent was a prosperous city thanks to the cloth industry and
trade. That changed in the 16th century, when the city was hit by an economic
recession. During the Ghent revolt, the citizens of Ghent committed lèse-majesté
and refused to pay taxes imposed by the emperor. Emperor Charles personally came
to Ghent to resolve the matter. 25 participants in the revolt were sentenced to
death. The emperor was not satisfied with the defence put forward by the city’s
leaders and accused the city of disloyalty, sedition, mutiny and disobedience.
The city lost all its privileges and freedoms.
On 3 May 1540, the Ghent citizens were subjected to total humiliation. They were
marched through the streets from the town hall to Prinsenhof, the emperor’s
palace. The procession consisted of the aldermen, clerks and all civil servants,
30 notable citizens and the deans of guilds, barefoot and dressed in black
robes. They were followed by 318 members of smaller craftsmen guilds and 50
weavers. The procession was closed by 50 ‘creesers’ (screechers), dressed in
white robes and carrying a hangman’s noose around their necks, as a sign that
they deserved to hang. Once they had arrived at Prinsenhof, they had to beg the
emperor for mercy.
Ever since, the citizens of Ghent have been nicknamed “stroppendragers” or
“noose bearers”, as a symbol of resistance against tyranny and misplaced
authority. During the annual procession, the emperor is booed and the noose
bearers are applauded.
The Castle of the Counts – Sint-Veerleplein – Kraanlei – Zuivelbrug –
Grootkanonplein – Vrijdagmarkt – Kammerstraat – Belfortstraat – Botermarkt –
Emile Braunplein – Klein Turkije – Korenmarkt – Groentenmarkt –
Vleeshuishuisbrug – Sint-Veerleplein – The Castle of the Counts
Are you driving to Ghent? First check whether you may enter the city centre with
your vehicle. Clean vehicles may enter the city centre free of charge, polluting
vehicles have to pay. Is your vehicle allowed to enter, but do you not have a
Belgian or Dutch number plate? You will ALWAYS have to register!
This exhibition examines the similarities and differences between the purchasing
policy of Jan Hoet, the founder of S.M.A.K. (Municipal Museum of Contemporary
Art), and that of the art collecting couple Roger and Hilda Matthys-Colle. Dr.
Roger Matthys stood at the cradle of the Association for the Museum of
Contemporary Art (V.M.H.K.), which had the ambition to open its own museum and
also purchased art. As president of the association, Matthys had a lot of
influence on the purchasing policy of the V.M.H.K. His private collection
included quite some works that were exhibited in or purchased by the museum.
Both collections are closely intertwined and complement each other.
The Matthys-Colle Collection spans fifty years. In an early stage Roger Matthys
purchased works of art for his private collection as well as for the collection
of the V.M.H.K. In his purchases he did not focus on one specific movement, but
rather created a collection that is representative of all art movements from the
second half of the twentieth century.
In 2020, the S.M.A.K. received 39 works on long-term loan, which now constitute
the basis for this exhibition. Both collections include or at one time included
work by every single artist represented in the exhibition.
The archive exhibition on the upper floor delves deeper into the Matthys-Colle
Collection and the figure of Jan Hoet, while in the room of the association of
the Friends of S.M.A.K. you will discover a selection of works by artists
represented in the Matthys-Colle Collection and exhibited by the V.M.H.K.
If you think you have to descend to Paris for an idyllic art market, you are
wrong. Countless creative Ghent residents exhibit their works along the banks of
Portus Ganda every year. You can enjoy a rich array of glass art, ceramics, pen
drawings, jewellery, sculptures and creations from many other disciplines.
Aiming for a work of art as a souvenir or just strolling along all this beauty?
The choice is yours. Discover the arty side of Ghent and be surprised by the
lively atmosphere and beautiful surroundings of the Portus Ganda
[https://visit.gent.be/en/see-do/portus-ganda] marina.
Since 1874, numerous trams have taken passengers from point A to point B in the
city. The first trams were horse drawn and transported passengers between the
railway stations Gent-Zuid and Dampoort. Obviously, a lot has changed since
then. This exhibition immerses you in the history of the tram in Ghent.
Passengers and tram lines, stops, depots and tram carriages have undergone a
true metamorphosis over the past 150 years. Battery-operated trams, three-axle
trams and PCC trams have now become real museum pieces and the population has
evolved as well. In this exhibition, you'll learn all there is to know about the
Ghent tram carriages, the onboard staff as well as the (historical) tram lines
and take a look behind the scenes of the tram world.
This exhibition is an initiative by Meta vzw and part of an event of the same
name.
Over the weekend of 18 May, the historical centre will feature trams from the
past and present. During a tram parade, you will be able to go for a ride on
unique trams and get a taste of 150 years of tram history.
Are you driving to Ghent? First check whether you may enter the city centre with
your vehicle. Clean vehicles may enter the city centre free of charge, polluting
vehicles have to pay. Is your vehicle allowed to enter, but do you not have a
Belgian or Dutch number plate? You will ALWAYS have to register!
At STAMplein square, a separate part of the museum with changing programmes, you
can visit the heritage project “The square kilometre”. Here you can learn all
about the Dampoort neighbourhood.
Historian in residence Tina de Gendt and researcher Thirza Vandenabeele delve
deep into the history of the area around the Gent-Dampoort railway station.
Contrary to Ledeberg, Rabot and Brugse Poort, which were the central topic of
the project “The square kilometre”, the Dampoort area is not what you could call
a “neighbourhood”. It is composed of parts of the districts Ham, Macharius,
Dendermondsesteenweg and Antwerpsesteenweg.
Prefer not to wait in line at the ticket booth? Want to be sure you can discover
the STAM when you want to? Then book your tickets online in advance and enjoy
your visit to the fullest.
Are you driving to Ghent? First check whether you may enter the city centre with
your vehicle. Clean vehicles may enter the city centre free of charge, polluting
vehicles have to pay. Is your vehicle allowed to enter, but do you not have a
Belgian or Dutch number plate? You will ALWAYS have to register!
********** English **********
Voormalig WIELS-residente Laivi Suurväli toont nieuw werk in AFFILIATE, de
ruimte in het centrum van de stad waar alumni van het Residentieprogramma van
WIELS hun werk presenteren.
********** Français **********
Laivi Suurväli, ancienne résidente de WIELS, présente son travail à AFFILIATE,
espace situé dans le centre ville dédié aux ancien·ne·s participant·e·s du
programme de résidence de WIELS et à leurs projets.
********** Français **********
Au fil de projets ludiques et sensibles, Juliette Vandermosten donne sa réponse
à la question « C’est quoi, le design social ? » Par des méthodes collaboratives
et participatives, elle crée des espaces de parole où l’empathie, la
vulnérabilité et le jeu sont les maîtres mots. Le design est pour elle un outil
pour travailler ensemble à une société plus tolérante.
********** Nederlands **********
Door middel van ludieke en gevoelige projecten geeft Juliette Vandermosten haar
antwoord op de vraag “Wat is social design? Aan de hand van collaboratieve en
participatieve methodes creëert ze ruimtes waar empathie, kwetsbaarheid en spel
de sleutelwoorden zijn. Voor haar is design een middel om samen te werken aan
een meer tolerante samenleving.
********** English **********
Enjoy summer holidays at the museum! Create your own travel diary with your
memories of Belgium. Go on an adventure through the museum with one of our
guides, take photos and collect anecdotes to tell. Explore every inch of the
museum to discover unique and surprising stories, magnificent artworks and
fascinating historical objects. Then it's time to get creative and make a
wonderful travel diary of your favourite moments.
********** Français **********
Cet été, profite des vacances au musée ! Crée ton propre carnet de voyage avec
tes souvenirs de la Belgique. Pars à l’aventure dans le musée avec notre guide,
prends des photos et rassemble des anecdotes à raconter. Explore chaque recoin
pour découvrir des histoires uniques et surprenantes, des œuvres d'art
magnifiques et des objets historiques fascinants. Ensuite, c’est le moment de
mettre ta créativité à l’œuvre pour créer un superbe carnet de voyage avec tes
moments préférés.
********** Nederlands **********
Geniet van de zomervakantie in het museum! Maak je eigen reisdagboek met je
herinneringen aan België. Ga op avontuur door het museum met onze gids, neem
foto's en verzamel leuke anekdotes om na te vertellen. Ga op ontdekking in alle
hoeken en gaten en ontdek unieke en verrassende verhalen, prachtige kunstwerken
en fascinerende historische voorwerpen. Dan ga je creatief aan de slag om een
schitterend reisdagboek te maken van je favoriete momenten.
Imaginer, détourner un tissu de sa fonction de départ et lui donner une seconde
vie pour en faire un vêtement ou un accessoire tout « neuf ».
Voilà un challenge constructif et un enjeu sociétal !
À travers ce stage, l’objectif est de sensibiliser les plus jeunes à sortir de
la sur-consommation et avoir un regard créatif sur les pièces de seconde mains.
Ce stage se déroule soit sur un ou plusieurs jours, soit sur toute la semaine.
Le 1er jour nous découvrirons les bases de la couture (pour les participants
d’une journée les bases seront ré-expliquées)
Au programme:
* Découdre votre pièce d’origine
* Couper à partir d’un patron
* Apprendre à faire fonctionner la machine
* Réaliser des coutures droites.
Les projets:
* chouchou
* top
* mini sac
* bob (en fonction du rythme de la semaine)
Les participants repartiront avec des pièces uniques et un apprentissage de
qualité et de gaieté !
(Possibilité d’apporter votre propre machine (en état de fonctionnement ;))
I N F O S :
Du lundi 15 au vendredi 19 juillet
Age : 8 - 99 ans
Ça sera chacun à son rythme, tout dépendra du niveau des participants.es donc
pas de niveau pré-requis.
De 9:00 - 16:00
Tarif la journée 70€
La semaine 220€
Un acompte de 70€ avec une preuve de payement envoyé à ce mail est demandé pour
valider l'inscription.
Numéro de compte :
KLEIN D'OEIL - BE13 7370 6142 0039
Communication : prénom de l'enfant + stage couture.
Infos & reservations : ecrisnousparmail@gmail.com