QO2 - Oscillation Festival

Description

Oscillation ::: Materia Forma
New Oscillation (https://www.oscillation-festival.be/) edition, new format ::: after online, nomadic and sedentary editions, we're in for six days of sound celebrations. The marathon edition? Those who have been following us for some time know that this range is not a try-out for the Q-O2 crew. Those concerned about physical effects, sleep deprivation, and sonic saturation? Don't worry, the evenings will be intense, but, concise.
This year's edition is hosted by VK Vaartkapoen in Molenbeek, complemented with outings to B.A. in Anderlecht and the Saint-Jean-Baptiste de Molenbeek-Saint-Jean Church. The six days feature concerts, (in-situ) performances, a conference, round table conversations, walks, and a series of workshops. T
This year, we reflect on form, format and performance. The self-evidence of an active performance linked to music has been altered with the ubiquity of electronic instruments and forms of amplification, which has also resulted in a larger variety of concert formats. Yet, absence of activity on stage does not equate to an absence of performance: objects might take that role, everyday events can be framed to perform themselves, sounds may exist as forms in themselves. Degrees of reality morph, appear, and disappear.
Featuring:
Ahnjili Zhuparris
Ailbhe Nic Oireachtaigh
Ana María Romano G.
Bojana Czevi
Enrico Malatesta
Evicshen
Floris Vanhoof
Franziska Windisch
Gabriel Paiuk
Giulia Rae
Jana Rush
Jaqueline Nova
Ji Youn Kang
Joná Gruska
Laura Mello
Lee Patterson & Pak Yan Lau
Liew Niyomkarn
Margarida Garcia
Michiko Ogawa & Lucy Railton
Nika Son
Nina Garcia/Mariachi
Okkyung Lee
Rim Irscheid
Sandar Tun Tun
Shamica Ruddock & Hannan Jones
Tetsuya Umeda
Tim Ingold
Tom Malmendier & Emilie krijelj
Valentina Vuksic
Victoria Shen
www.oscillation-festival.be

Information sur la date

19:30:00

Billets

Gratuit

1 Photo

Événements suggérés

TCHA LIMBERGER ( VIOLIN), RENÉ BIKAR ( BRÁCS), VILMOS CSIKOS ( DOUBLE BASS) Tcha’s trio of Budapest musicians causes a sensation, with bursts of soaring musical tragedy and czardas madness delivered with an astounding purity of sound and hardly imaginable depth of musical dialogue. In true Budapest gypsy style they switch between soaring intensity and smouldering pathos delivering a passion and technical virtuosity that astounds. MAGYAR NÓTA is music actually composed by the Hungarian nobility, to liven up their noble feasts and parties. They were looking in the 19th century for Hungarian music, that had to be less primitive than the traditional Hungarian music, which was only played by the illiterate peasants. So they invented a new style, based on elements of Hungarian folk music, both textual and melodic-harmonic, all played with a classical Western European sound. They hired gypsy musicians to come and live with them at the castles, where they should learn to play violin, double bass, clarinet and cimbalom in a classical way. Then they should make the new repertoire into one of the most highly regarded forms of popular music. ‘I myself started to learn that style because the Sinti, Gypsies from western Europe, including my own family, very much look up to, and love, this Hungarian music. Manouche and Sinti used to copy that style, but without the necessary know-how and especially without the Hungarian language, which one needs very much to be able to interpret that style well. This is why I started to learn Hungarian at the age of 20 and spent a year and a half in Budapest to master this music. I then founded the Tcha Limberger's Budapest Orchestra. For this concert we speak of the Budapest Ensemble, since it consists of not more than three musicians. This music continues to fascinate me deeply.’ https://www.youtube.com/watch?v=CxE15WG6FzE&list=PL1E_Bc2ePJ4kTqLfDJQMzY9S1p8IJuanE https://tchalimberger.com/artists/budapest-gypsy-orchestra/ Art Base, Saturday 18/5/24 20h, 20E ( reduced 15E for students under 26 and jobseekers), 29 rue des Sables Zandstraat, 1000 Bruxelles. For reservations & more info to www.art-base.be
********** Français ********** Née d'une famille cosmopolite, Joe Bel a grandi en voyageant entre les Alpes françaises, la mer Méditerranée et l'Amérique du Nord. Elle développa un amour pour la musique dès son plus jeune âge après avoir été bercée par les vinyles de Paul McCartney, George Harrison, Otis Redding, ainsi que les chants traditionnels judéo-espagnols chers à la famille. Instinctive et autodidacte, Joe fait ses tous premiers pas sur scène seule à la guitare en 2012, juste après la naissance de son premier enfant, à l’âge de 23 ans. Quelques mois plus tard, Asaf Avidan découvre sa soul folk envoûtante et lui offre toutes les premières parties de sa tournée européenne. Son EP remarqué, « Hit the Roads », lui a permis de se produire à travers l'Europe et jusqu'au Japon. En 2020, attendant son deuxième enfant, elle se lance dans l’écriture de son deuxième opus, « Family Tree » : une exploration à la recherche de ses origines multiples, alliant folk, mélodies entêtantes et couleurs méditerranéennes. À travers un son toujours organique, en anglais et en français, mais également en ladino, ancien espagnol que parlait encore son grand-père, elle choisit de se dévoiler un peu plus, dans un album qui invite au voyage de la transmission entre les générations. ********** Nederlands ********** Joe Bel werd geboren in een kosmopolitische familie, en groeide op terwijl ze reisde tussen de Franse Alpen, de Middellandse Zee en Noord-Amerika. Al op jonge leeftijd ontwikkelde ze een liefde voor muziek. Ze werd geraakt door de platen van Paul McCartney, George Harrison en Otis Redding, maar evenzeer door de traditionele Joods-Spaanse liederen die haar familie dierbaar zijn. In 2012, op 23-jarige leeftijd, zette ze haar eerste stappen op het podium, solo en met enkel haar gitaar als begeleiding. Enkele maanden later ontdekte Asaf Avidan haar beklijvende folk soul, en bood haar prompt alle support slots aan op zijn Europese tour. Haar veelgeprezen EP ‘Hit the Roads’ bracht haar ondertussen door heel Europa en zelfs Japan, en in 2020 begon ze te schrijven aan ‘Family Tree’, een plaat waarop ze haar meervoudige afkomst exploreert. Het album is een geweldige combinatie van folk, onstuimige melodieën en mediterrane kleuren, waarop ze zingt in het Engels en het Frans, maar ook in het Ladino, het oude Spaans dat nog steeds door haar grootvader wordt gesproken. ‘Family Tree’ is intergenerationeel, en heeft voor iedereen wel wat te bieden.
Nicolas Delaigue is a sitar and surbahar player, specialist of north indian classical music. After years of immersion, practice and dedication to this art, he was able to create a bridge between India and the West, and become a reference in the interpretation and teaching of this music in Europe. Nicolas has learned sitar and hindustani classical music with Patrick Moutal, Indrajit Banerjee and have received additionnal training with Sugato and Ustad Shahid Parvez. Today, as a international concert performer, Nicolas have presented his music in many prestigious venues in Europe and around the world. Nicolas teaches sitar, Indian music and modal improvisation in numerous public, private and associative structures throughout France and Europe. In 2022, he was appointed professor of Indian Music and modal improvisation at the National Conservatory of Paris (CNSMDP). An All India Radio Grade A Artist, Sandip Banerjee is playing tabla since 1973. He is well known for his graceful accompaniment and powerful adept solo performance. He is an enlisted artist in ICCR( Indian Council for Cultural Relation) in professional category and SPIC MACAY. He has several CDs with different artists in India and abroad. His book on learning Tabla titled ‘Le Tabla’ has been published from ID Music, France. This book is also available in English now. A rare combination of talent, dedication and good sensibilities have brought Sandip to the top of his art. Lovers of Indian Classical music around the world will continue to be enthralled by this first class mature and powerful performing artist now and in the years to come. https://www.youtube.com/results?search_query=nicolas+delaigue http://www.sandipbanerjee.com/ https://www.youtube.com/watch?v=btizXhDELWM https://m.youtube.com/user/sandipbanerjeetabla Art Base, Sunday 19/5/24 14h, 15E ( reduced 10E for students under 26 and jobseekers), 29 rue des Sables Zandstraat, 1000 Bruxelles. For reservations & more info to www.art-base.be
Mendelssohn, Brahms, Schumann Nadya Lis (Alto), Angela Ceban (Soprano), Daniela Rodó (Piano) Spring Tone celebrates the essence of springtime and the blooming of flowers. In the first part, attendees will enjoy the soulful melodies of German Lieder by F. Mendelssohn and Brahms, accompanied by a piano interlude with music by R. Schumann. This first part evokes the freshness of the season, with a recurring theme of flowers and the awakening of spring. In the second part, the audience will experience the captivating opera duets of Tchaikovsky, Delibes, and Offenbach. Attendees are invited to join for an evening of music that captures the beauty and vitality of springtime. Art Base, Monday 20/5/24 20h, 15E ( reduced 10E for students under 26 and jobseekers), 29 rue des Sables Zandstraat, 1000 Bruxelles. For reservations & more info to www.art-base.be
NEW ALBUM “BUCKLE UP!” Brad Wilson (guitar), Luca (keys, guitar), Fabrizio Erba (bass), Toto Poznantec (drums) Released his new album “Buckle Up!” on January 26, 2024, featuring both fiery originals and reimagined blues classics.The album was recorded in renowned studios Wisseloord  located in Hilversum Netherlands and Guitar Institute Hollywood California.Produced by Grammy-winning producer Francis Buckley and promoted by Betsie Brown and Blind Raccoon Promotions.Two #1’s right away!  Brad “Guitar” Wilson’s latest album, “Buckle Up!”, has been a smash hit. It topped the California independent radio charts at #1 album and spawned the #1 USA Blues Rock song, “Cast Your Shade.” IBBA UK radio chart welcomed Buckle Up! album at #17 for February 2024. TICKET: 15€ Members – No Members  18€
********** English ********** Registration is €3, but you will receive this amount in the form of drink tokens upon arrival. Don't miss this discussion and register now.Social media platforms have become indispensable tools for musicians to connect directly with their fans. Through channels such as Instagram, TikTok, Twitter, and Facebook, artists can share personal updates, exclusive content, and behind-the-scenes glimpses.The rise of such platforms has had a profound impact on the consumption and creation of music. Musicians are adapting to the era of short attention spans by creating fragments that resonate within seconds. These shortened formats have challenged traditional song structures and paved the way for viral hits. Artists are exploring new ways to engage listeners and capture their attention in the fast-scrolling environment. This trend has led to shorter tracks, higher BPMs and soundscapes that meet the demands of social media platforms. Artists like James Blake have already been critical of this evolution.TikTok in particular has become one of the tools for music discovery and promotion in the last three years. Both fledgling and already well-known artists have had to spend a lot of time promoting their music on TikTok in recent years. But recently, the music of artists like Taylor Swift, The Weeknd and U2 can no longer be heard on TikTok. Record label Universal does not want to sign a new deal with the platform because they are not willing to pay "appropriate compensation". Are Belgian musicians also thus losing their springboard to the general public? ********** Français ********** L'inscription est de 3 euros, mais vous recevrez ce montant sous forme de jeton de boisson à votre arrivée. Ne manquez pas cette discussion et inscrivez-vous dès maintenant.Les plateformes de médias sociaux sont devenues des outils indispensables pour les musiciens afin de communiquer directement avec leurs fans. Via des canaux tels qu'Instagram, TikTok, X et Facebook, les artistes peuvent partager des mises à jour personnelles, du contenu exclusif et un aperçu des coulisses.L'émergence de ces plateformes a eu une influence profonde sur la consommation et la création de musique. Les musiciens s'ajustent à notre capacité d'attention de plus en plus courte en produisant des morceaux qui captivent en quelques secondes seulement. Ces formats raccourcis ont remis en question les structures de chanson traditionnelles et ont ouvert la voie à des succès viraux.Dans la lutte pour l'attention du public qui défile rapidement, de nouvelles tendances ont émergé : pensez à la musique avec un nombre élevé de bpm et aux paysages sonores qui fonctionnent traditionnellement bien sur les réseaux sociaux. Des artistes comme James Blake se sont déjà exprimés de manière critique sur ces évolutions.En particulier, TikTok est devenu l'un des outils majeurs de découverte et de promotion de la musique au cours des trois dernières années. Tant les artistes émergents que les artistes renommés ont dû consacrer beaucoup de temps à la promotion de leur musique sur TikTok.Cependant, depuis peu, la musique d'artistes comme Taylor Swift, The Weeknd et U2 n'est plus diffusée sur TikTok. Le label Universal refuse de conclure un nouvel accord avec la plateforme, car il n'est pas prêt à payer une ‘compensation appropriée’. Les musiciens belges perdent-ils ainsi leur tremplin vers le grand public ? ********** Nederlands ********** Registratiekost is €3, maar je ontvangt dit bedrag in de vorm van drankjetons wanneer je toekomt. Mis deze talk niet en schrijf je nu in.Sociale media platformen zijn onmisbare tools geworden voor muzikanten om rechtstreeks in contact te treden met hun fans. Via kanalen zoals Instagram, TikTok, Twitter, en Facebook kunnen artiesten persoonlijke updates, exclusieve content en blikken achter de schermen delen.De opkomst van dergelijke platformen heeft een diepgaande invloed gehad op de consumptie en creatie van muziek. Muzikanten passen zich aan het tijdperk van de korte aandachtsspanne aan door fragmenten te maken die binnen enkele seconden resoneren. Deze verkorte formats hebben traditionele songstructuren uitgedaagd en de weg vrijgemaakt voor virale hits. Artiesten verkennen nieuwe manieren om luisteraars te betrekken en hun aandacht te trekken in de snel scrollende omgeving. Deze trend heeft geleid tot kortere tracks, hogere BPM’s en soundscapes die tegemoetkomen aan de eisen van sociale media platformen. Artiesten als James Blake hebben zich al kritisch laten horen over deze evolutie.Vooral TikTok is de laatste drie jaar uitgegroeid tot een van dé tools voor muziekontdekking en promotie. Zowel beginnende als reeds bekende artiesten hebben de afgelopen jaren heel wat tijd moeten steken in het promoten van hun muziek op TikTok. Maar sinds kort is de muziek van artiesten als Taylor Swift, The Weeknd en U2 niet meer te horen op TikTok. Platenlabel Universal wil geen nieuwe deal sluiten met het platform, omdat ze niet bereid zijn ‘een passende compensatie’ te betalen. Verliezen ook Belgische muzikanten zo hun springplank naar het grote publiek?
Joseph Nowell (piano), Michele Bondesan (double bass),Giuseppe Sardina (drums) Katharsis was born in 2020 from the meeting of three musicians and long-time friends who had been playing together for years in different contexts (BlueRing Improvisers among others) and decided to bring together their mutual influences in a stable formation. The trio aims to reconcile European jazz, contemporary textures and impromptu composition, creating fragile but intense music, instinctively controlled and made consistent by the deep contact between the musicians.Spring 2024 marks the Italian/Belgian tour presenting their album “People and Places” (Aut Records 2022) consisting only of original pieces written specifically for this formation by the three musicians, which received positive reviews from Italian and international press. VIDEO LINK : https://www.youtube.com/live/8STmyLL0Az0?feature=share
********** English ********** Jay Psar, a key figure on the Brussels art and nightlife scene, has notably left his mark in the music sphere by accompanying many artists in their early days. After touring the 5 continents over the years, he has a unique gift for getting international audiences up and dancing. This Wednesday 8 May, eve of Ascension Day, don't miss his exclusive 'Old School' DJ set at the iconic CINNA Bar from 22:00 until 02:00 at VIAGE. A unique musical experience that promises to leave a lasting impression. Grand Casino Brussels VIAGE // Open 7/7 // EAT. PLAY. DRINK. * Free for members / A single fee of €10 for new members including 1 membership card + €5 casino chips + 1 free drink ********** Français ********** Jay Psar, figure emblématique de la scène artistique et de la nightlife bruxelloise, a marqué de son empreinte l'univers musical en accompagnant de nombreux artistes à leurs débuts. Fort de ses années d'expérience et de ses voyages à travers les cinq continents, il a le don unique de faire vibrer et danser un public international. Ce mercredi 8 mai, veille de l’Ascension, ne manquez pas son DJ set "Old School" exclusif à l’iconique CINNA Bar de 22h à 02h au VIAGE. Une expérience musicale inédite qui promet de marquer les esprits. Grand Casino Brussels VIAGE // Ouvert 7/7 // EAT. PLAY. DRINK. * Gratuit pour les membres / Un seul et unique tarif de 10€ pour les nouveaux membres comprenant 1 carte de membre + 5€ de jetons casino + 1 boisson ********** Nederlands ********** Jay Psar, een sleutelfiguur in de Brusselse kunst- en uitgaansscène, heeft een belangrijke invloed gehad op de muziekwereld door veel artiesten te begeleiden in hun vroege carrièredagen. Nadat hij door de jaren heen op 5 continenten heeft getoerd, heeft hij een unieke gave om een internationaal publiek aan het dansen te krijgen. Deze woensdag 8 mei, de vooravond van Hemelvaartsdag, mag je zijn exclusieve 'Old School' DJ-set niet missen in de iconische CINNA Bar van 22:00 tot 02:00 bij VIAGE. Een unieke muzikale ervaring die een blijvende indruk zal achterlaten. Grand Casino Brussels VIAGE // Open 7/7 // EAT. PLAY. DRINK. * Gratis voor leden / Een eenmalige bijdrage van €10 voor nieuwe leden inclusief 1 lidmaatschapskaart + €5 casino chips + 1 drankje
"Ta Mavra Moura" is a three-piece band from Athens, Greece. While their repertoire is centered around Greek folk music of the twentieth century like the styles of rebetiko and laiko, their sound also touches upon more traditional flavors and even expands into modern areas like the compositions of Manos Hatzidakis and Nikos Xydakis. The band consists of bouzouki and guitar which is the basis of the urban folk sound of Athens during era of Rebetiko. A unique element of their music is the use of flute that while being unusual in such an orchestra, blends in perfectly and opens new horizons to their sound. Meanwhile, their three voices singing solo or in harmony complete their musical imagery. Ta Mavra Moura: Eirini Sgouridou – flute, voice Giorgos Goudousakis – bouzouki, voice Giorgis Karras – guitar, voice Art Base, Saturday 25/5/24 20h, 15E ( reduced 10E for students under 26 and jobseekers), 29 rue des Sables Zandstraat, 1000 Bruxelles. For reservations & more info to www.art-base.be
********** English ********** The musical duo Ocie Elliott consists of Jon Middleton and Sierra Lundy. The two Canadians haven’t been making music together for very long, but their harmonious folk immediately caught on and in no time they were touring the US, Canada and Europe. (In 2022, they even played in AB as support act to Hollow Coves.) One of their tracks was also to be heard in the hugely popular series Grey’s Anatomy.Their soft, acoustic music is mainly about themes such as love and connecting with others. One review even described their music as “the aural equivalent of indigo painted skies and the first summer stars." ********** Français ********** Ocie Elliott, ce sont Jon Middleton et Sierra Lundy. Le duo canadien ne fait pas de la musique depuis très longtemps, mais son folk harmonieux a immédiatement fait mouche et les deux se sont rapidement mis à tourner aux États-Unis, au Canada et en Europe. (En 2022, ils se sont produits à l’AB en première partie de Hollow Coves.) L’une de leurs chansons faisait d’ailleurs partie de la bande-son de l’ultrapopulaire Grey’s Anatomy.Ocie Elliott compose une musique acoustique, tout en douceur, qui aborde surtout des thèmes comme l’amour et la recherche de liens avec les autres. Quelqu’un y a même vu l’“équivalent sonore de ciels bleu indigo et des premières étoiles d’été”. ********** Nederlands ********** Het muzikale duo Ocie Elliott bestaat uit Jon Middleton en Sierra Lundy. De twee Canadezen maken nog niet bijster lang samen muziek, maar hun harmonieuze folk sloeg meteen aan en in no time gingen ze op tour door de VS, Canada en Europa. (In 2022 speelden ze in AB nog het voorprogramma van Hollow Coves.) Een van hun nummers was ook te horen in de razend populaire serie Grey’s Anatomy.In hun zachte, akoestische muziek gaat het vooral over thema’s zoals liefde en verbinding zoeken met anderen. In een review werd hun muziek zelfs omschreven als “the aural equivalent of indigo painted skies and the first summer stars."