On stage, a body and a block of ice: one, a complex organism made of muscles,
bones and veins, 80% of which is liquid; the other, made of frozen tap water.
Neither a duet – nor a solo – The Second
What does an oracle look like?
Description
For Komplot, Perri MacKenzie will present a new installation of large-scale collage paintings on paper depicting the animal fountains of Sainte-Catherine, Brussels (sculpted by Georges Houstont and Godefroid Devreese, c.1895). For MacKenzie, the water gushing out of the fountain’s mouths is an energetic materialisation of voice, which is further amplified by the unruly dimensionality of the paintings. The exhibition additionally brings together drawings and screenprints alongside a presentation of her book. A graphical way of thinking pervades the works in the exhibition: an exploration into the leaky spaces of image, line, text, and voice.
During the opening, MacKenzie’s début publication ‘What does an oracle look like?’ will be launched, which gathers essays and drawings made by the artist themed loosely around pottery painting and vocal expression.
“If I look at the night sky while aching with desire, do the constellations I draw bend towards my longing? What if this urgency, which feels so personal and interior, was actually a force out there that I’ve caught, like a cold? “
What does an oracle look like? gathers essays and drawings made by Perri MacKenzie between 2020 and 2024, themed loosely around pottery painting and vocal expression. The drawings, rendered in splashy India ink and collage, range from expressive sketches to theatrical still lives and experimental bandes dessinées. The book presents for the first time the essay ‘Cathedral’. Part memoir, part literary/sonic investigation, it meditates on the vocal texture of a Hollywood actor.
‘In Perri's firm prose, voices resonate from ceramic amphorae, studio speakers, Claire Danes, and the occasional butt-cheek on the move. Her book excavates the living voice from its material remains, an archaeological miracle.’ – Becket MWN, artist and writer, Amsterdam.
‘What does an oracle look like? is an inquiry, a celebration and an open invitation to engage with Perri’s ‘oracular method’ ... I received it as a whole new manual for how to heed, translate and retranslate the messages and materials of the world.’ – Kate Briggs, essayist and translator, Rotterdam
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Pour Komplot, Perri MacKenzie présentera une nouvelle installation de collages sur papier à grande échelle, représentant les fontaines animales de Sainte-Catherine à Bruxelles (sculptées vers 1895 par Georges Houstont et Godefroid Devreese). Pour MacKenzie, l’eau jaillissant des bouches des fontaines incarne une matérialisation énergique de la voix, amplifiée par la dimension indisciplinée de ses peintures.
L'exposition réunit également des dessins et des sérigraphies, ainsi qu’une présentation de son livre. Un mode de pensée graphique imprègne l’ensemble des œuvres, explorant les espaces de fuite de l’image, de la ligne, du texte et de la voix.
Le vernissage sera l'occasion de lancer la première publication de MacKenzie intitulée « What does an oracle look like ? », qui rassemble des essais et des dessins réalisés par l'artiste autour de la peinture sur poterie et de l'expression vocale.
"If I look at the night sky while aching with desire, do the constellations I draw bend towards my longing? What if this urgency, which feels so personal and interior, was actually a force out there that I’ve caught, like a cold?"
What does an oracle look like ? rassemble des essais et des dessins réalisés par Perri MacKenzie entre 2020 et 2024, dont les thèmes s'articulent librement autour de la peinture sur poterie et de l'expression vocale. Les dessins, réalisés à l'encre de Chine et au collage, vont des esquisses expressives aux natures mortes théâtrales et aux bandes dessinées expérimentales. Le livre présente pour la première fois l'essai « Cathedral ». À la fois mémoire et enquête littéraire et sonore, il médite sur la texture vocale d'un acteur hollywoodien.
‘In Perri's firm prose, voices resonate from ceramic amphorae, studio speakers, Claire Danes, and the occasional butt-cheek on the move. Her book excavates the living voice from its material remains, an archaeological miracle.’ - Becket MWN, artiste et écrivain, Amsterdam.
‘What does an oracle look like? is an inquiry, a celebration and an open invitation to engage with Perri’s ‘oracular method’ ... I received it as a whole new manual for how to heed, translate and retranslate the messages and materials of the world.’ - Kate Briggs, essayiste et traductrice, Rotterdam
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Voor Komplot presenteert Perri MacKenzie een nieuwe installatie van grootschalige collageschilderijen op papier die de dierenfonteinen van het Sint-Katelijneplein in Brussel uitbeelden (gebeeldhouwd door Georges Houstont en Godefroid Devreese, ca. 1895). Voor MacKenzie is het water dat uit de monden van de fonteinen gutst een energieke materialisatie van de stem, die nog wordt versterkt door de weerbarstige dimensionaliteit van de schilderijen. De tentoonstelling brengt ook tekeningen en zeefdrukken samen met een presentatie van haar boek. De werken in de tentoonstelling zijn doordrongen van een grafische manier van denken: een verkenning van de lekkende ruimtes van beeld, lijn, tekst en stem.
Tijdens de opening wordt MacKenzie's debuutpublicatie 'What does an oracle look like?' gelanceerd, die essays en tekeningen van de kunstenaar verzamelt, losjes gethematiseerd rond pottenbakkunst en vocale expressie.
“If I look at the night sky while aching with desire, do the constellations I draw bend towards my longing? What if this urgency, which feels so personal and interior, was actually a force out there that I’ve caught, like a cold? “
What does an oracle look like? verzamelt essays en tekeningen die Perri MacKenzie maakte tussen 2020 en 2024, met als thema's pottenbakken en vocale expressie. De tekeningen, uitgevoerd in spetterende Oost-Indische inkt en collage, variëren van expressieve schetsen tot theatrale stillevens en experimentele bandes dessinées. Het boek presenteert voor het eerst het essay 'Kathedraal'. Deels memoires, deels literair/sonisch onderzoek, mediteert het over de vocale textuur van een Hollywood acteur.
‘In Perri's firm prose, voices resonate from ceramic amphorae, studio speakers, Claire Danes, and the occasional butt-cheek on the move. Her book excavates the living voice from its material remains, an archaeological miracle.’ - Becket MWN, kunstenaar en schrijver, Amsterdam.
‘What does an oracle look like? is an inquiry, a celebration and an open invitation to engage with Perri’s ‘oracular method’ ... I received it as a whole new manual for how to heed, translate and retranslate the messages and materials of the world.’ - Kate Briggs, essayist en vertaler, Rotterdam
Date info
14:00:00 - 18:00:00