Sixty years ago the first Turkish migrants came to Ghent. Nowadays almost one
out of ten Ghent citizens has Turkish roots. A group of young people of Turkish
descent set out to find stories, objects and the meaning behind those figures.
The focus of this search was the question of what should be preserved for future
generations. With the help of their grandparents, parents and acquaintances,
they looked for objects, stories and relevant facts relating to the Turkish
migration to Ghent. The outcome of their efforts is a new Ghent-Turkish heritage
collection.
Off-Comics: The other comic strip
Description
Artists such as Luigi Brunetti, Johann Fischer, Jean Leclercq, Michael Golz, Daniel Johnston, Jean-Jacques Liabeuf and Norbert Moutier flout conventions and freely interpret the popular genre of comic strips in their own way. Existing heroes appear in new fantasy worlds and new protagonists come to life.
This exhibition highlights work that has often been created outside the established art circuits. You can find it in renowned museums such as Collection de l’Art Brut in Lausanne, national and international art studios and private collections. Word and image are brought together in an unconventional way. You can immerse yourself in a ‘different world of comic strips’.
Musée
Billets
Accessible with a CityCard Gent
Gratuit
Reduced rate -13 years
Gratuit
Reduction -19 years
1€
Reduction -26 years
3€
Reduction groups
8€
Reduction +65 years
8€
Basic price
10€
Info & Réservation
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Événements suggérés
At STAMplein square, a separate part of the museum with changing programmes, you
can visit the heritage project “The square kilometre”. Here you can learn all
about the Dampoort neighbourhood.
Historian in residence Tina de Gendt and researcher Thirza Vandenabeele delve
deep into the history of the area around the Gent-Dampoort railway station.
Contrary to Ledeberg, Rabot and Brugse Poort, which were the central topic of
the project “The square kilometre”, the Dampoort area is not what you could call
a “neighbourhood”. It is composed of parts of the districts Ham, Macharius,
Dendermondsesteenweg and Antwerpsesteenweg.
Prefer not to wait in line at the ticket booth? Want to be sure you can discover
the STAM when you want to? Then book your tickets online in advance and enjoy
your visit to the fullest.
Are you driving to Ghent? First check whether you may enter the city centre with
your vehicle. Clean vehicles may enter the city centre free of charge, polluting
vehicles have to pay. Is your vehicle allowed to enter, but do you not have a
Belgian or Dutch number plate? You will ALWAYS have to register!
The Shore, a place I'd like to be is the first solo exhibition in a Belgian
museum of electro-acoustic composer and artist Tarek Atoui. He exhibits existing
works and new productions.
Sound constitutes the core of his work. Atoui is well-known for the
sonic-sculptural landscapes he creates on the basis of sounds, images, matter,
space, time, human actions and organic processes. His installations always take
the form of a participative workshop or prompt visitors to listen to the space,
each other, and themselves.
Every academic year, S.M.A.K, Ghent University, and the Curatorial Studies
program at KASK & School of Arts collaborate to organize the Curatorial Lectures
series. This year's lecture series, featuring Aline Hernández as the third
speaker, centers on the theme 'Working with Communities'.
Curators connect communities with cultural institutions. They engage with
communities, ensure accessibility, address social issues, and build trust
between different stakeholders. This year’s series ‘Working with Communities’
invites practitioners to discuss the role of curating in shaping communities and
relationships. How can curatorial work reveal power dynamics and offer
alternative social imaginaries?
Biography
Yves Makongo, born in 1984 in Douala, Cameroon, currently serves as the Artistic
Assistant and Project Manager at the contemporary art center doual'art. He holds
a degree in human geography from the University of Douala, where he completed
his Master's in Environment in 2009. Yves is highly versatile, effortlessly
transitioning from hands-on tasks like woodworking to intellectually demanding
work involving new technologies.
Since joining doual'art in January 2011, Yves has gained extensive experience
working alongside Didier Schaub (1952-2014). His responsibilities include
assisting with scenography and exhibition setups, creating neighborhood
monographs, conducting questionnaire surveys, managing supplies, and overseeing
various projects. Yves has been instrumental in the success of two editions of
the public art festival SUD, organized by doual'art: SUD2013, Douala
Métamorphoses, and SUD2017, The Place of Human Dimension.
Yves Makongo is an alumnus of Asiko Addis Ababa 2016 and Asiko Accra 2017, where
he honed his curatorial skills. He is also an alumnus of The Museumslab in 2022.
Yves is passionate about various causes, including human rights, art and
culture, migration and boundaries, health and the environment, all intertwined
with issues of identity.
Past speakers in the Curatorial Lectures series have included Cosmin Costinas,
Cédric Fauq, Yolande Zola Zoli van der Heide, Simon Njami, Zoé Whitley, Ippolito
Pestellini Laparelli, Karen Archey, Cecilia Alemani, Rebecca Lamarche-Vadel,
Luca Lo Pinto, Joanna Mytkowska, Sofia Hernández Chong Cuy, Penelope Curtis,
Mathieu Copeland, Anthony Huberman, Jean-Hubert Martin, Chus Martínez, Gabi
Ngcobo, Marie Hélène Pereira, Susanne Pfeffer, Kasia Redzisz, Nicolaus
Schafhausen and Adam Szymczyk.
In visual arts, collaboration is often secondary to the romanticised idea of
individual artistic genius. Challenging the myth of the solitary artist, this
exhibition explores the unique dynamic of collective creativity and looks at how
it influences artistic production.
In addition to works from the S.M.A.K. collection, created between 1959 and 2021
by art collectives, artist duos or one–off collaborations, this exhibition also
displays works deliberately designed to facilitate other works of art.
Includes works by: Philip Metten, Art & Language, Denicolai & Provoost, Bernd &
Hilla Becher, Jos De Gruyter & Harald Thys, Flexboj & L.A., Narcisse Tordoir &
David Neirings, General Idea, Gilbert & George, HAP, David Hammons & Bruna
Esposito, Franz West, Heimo Zobernig, Danh Vo, Apparatus 22, Ex-artists'
collective (Anikó Loránt, Kaszás Tamás), Audrey Cottin, Alexis Gautier, Anna &
Bernard Blume, Brosi & Bonier, Engelbert Van Anderlecht & Jean Dypréau,
SUPERFLEX, Marina Abràmovic & Jan Hoet, Guillaume Bijl, Allora & Calzadilla,
Jacques Charlier, Korakrit Arunanondchai, Mekhitar Garabedian, Ingrid Mwangi and
Robert Hutter.
This exhibition examines the similarities and differences between the purchasing
policy of Jan Hoet, the founder of S.M.A.K. (Municipal Museum of Contemporary
Art), and that of the art collecting couple Roger and Hilda Matthys-Colle. Dr.
Roger Matthys stood at the cradle of the Association for the Museum of
Contemporary Art (V.M.H.K.), which had the ambition to open its own museum and
also purchased art. As president of the association, Matthys had a lot of
influence on the purchasing policy of the V.M.H.K. His private collection
included quite some works that were exhibited in or purchased by the museum.
Both collections are closely intertwined and complement each other.
The Matthys-Colle Collection spans fifty years. In an early stage Roger Matthys
purchased works of art for his private collection as well as for the collection
of the V.M.H.K. In his purchases he did not focus on one specific movement, but
rather created a collection that is representative of all art movements from the
second half of the twentieth century.
In 2020, the S.M.A.K. received 39 works on long-term loan, which now constitute
the basis for this exhibition. Both collections include or at one time included
work by every single artist represented in the exhibition.
The archive exhibition on the upper floor delves deeper into the Matthys-Colle
Collection and the figure of Jan Hoet, while in the room of the association of
the Friends of S.M.A.K. you will discover a selection of works by artists
represented in the Matthys-Colle Collection and exhibited by the V.M.H.K.
Bas Birker
Birker omschrijft zichzelf als best sympathie, althans voor een Hollander. Maar
schijn bedriegt, want diep vanbinnen zit een dik drammerig Duitsertje met een
voorliefde voor orde, stiptheid en bovenal zichzelf. Noem het arrogant of
egocentrisch, maar zelfkennis is het begin van alle wijsheid. Toch?
Het voorprogramma van Bas bestaat uit een selectie van lokaal stand-up comedy
talent. MC van dienst op deze avond is Domien Vloeberghs.
De pers over Bas Birker:
"In zijn slot onderstreept Birker andermaal dat hij zijn plaats aan de top van
de Vlaamse en Nederlandse podiumhumor verdient." (De Morgen)
"Misschien wel de beste pure stand-upcomedian van Vlaanderen." (De Standaard)
"Topklasse" (Gazet van Antwerpen)
Veelgestelde vragen
Kan ik mijn UiTPAS gebruiken bij deze Artyshock-activiteit?
Ja. Je ontvangt een punt en koopt, met een UiTPAS met kansentarief, een ticket
aan reductietarief (2 euro). Voor tickets aan kansentarief: mail je
UiTPAS-nummer naar jeugd@destelbergen.be om een promotiecode te ontvangen.
Zijn de plaatsen genummerd?
Neen.
UiTPAS?
- UiTPAS is een getrouwheidskaart. Per deelname aan een vrijetijdsactiviteit in
Destelbergen, en bij uitbreiding bij alle UiTPAS-partners in heel Vlaanderen,
ontvang je punten die inruilbaar zijn voor tal van interessante voordelen:
gratis tickets, cadeaus, gadgets …
- UiTPAS is ook een kortingskaart. Personen met een verhoogde tegemoetkoming of
in schuldbemiddeling krijgen met deze pas een reductie van 80% op het
vrijetijdsaanbod.
- Een UiTPAS koop je voor 5 euro (volw.) of 2 euro (0 - 18 j) op volgende
plekken: Onthaal gemeentehuis, Bibliotheek, Villa Tuur, Loket Vrije Tijd, DC De
Reinaert en Sociale dienst van het OCMW.
- De UiTPAS met kansentarief kost slechts 1 euro en kan je enkel kopen aan het
onthaal van het gemeentehuis, in Villa Tuur of op de sociale dienst van het
OCMW.
The Ghent University Museum (GUM) and Botanical Garden will take you on a quest
for the truth. This exhibition provides an answer to questions such as: What is
true and what isn’t? What do we really want to know? Does absolute certainty
exist? What is the role of science in this regard? Does a museum always tell the
truth?
The GUM confronts big names and young talent from the art world with exceptional
research from home and abroad and intriguing science projects in which you can
participate live. In the Wunderkammer of TRUTH, you (might) learn all about the
truth. The exhibition is definitely worth a visit.
Marie Cloquet creates large-scale hybrid works that constitute a non-classified
overlap between painting and photography. She reconstructs the places where they
came into existence. This way her landscapes ignore the dividing line between
nature and culture, between organic and man-made.
There was a time when Ghent owned 5,000 hectares of farmland, meadows and woods.
Today the city owns 1,800 hectares of agricultural land, mostly outside city
limits. The city in the countryside: what’s the story behind those lands? Where
does their future lie? This exhibition will tell you all about it.
In the thirteenth century, wealthy citizens of Ghent, abbeys and hospitals came
into possession of land outside the city walls. The hospitals needed these lands
to sustain them financially and to feed the poor and the sick. In the twentieth
century radical changes took place in the agricultural sector as a result of the
city’s expansion, the development of the port and the construction of motorways.
The new Public Centre for Social Welfare (OCMW) and the social policy also
contributed to this evolution, as food distribution was no longer necessary.
Some of Ghent’s agricultural lands were sold and some fell into oblivion.
This exhibition highlights this chapter of Ghent’s history with the help of
maps, paintings, illustrations, photographs, film footage and extraordinary
objects. It also questions the future of these lands.