Capitole

Rhythm of the Dance

Gazon is a summer bar in the beautiful garden of the Kristallijn ice rink in Ghent. Sink down into the pillows with a cocktail, find peace and quiet under the trees or have a drink near the pond. Sun lovers can enjoy the sunshine in one of the beach chairs. Be sure to bring the kids someday. There is a large playground with a bouncy castle. Grown-ups can participate in numerous activities as well: a Kubb game, pétanque and cards.
You can enjoy street food, sharing dishes and classic dishes, all prepared in the open kitchen. Vegans and people with allergies will also definitely find something to their liking.Tip: twice a month, Gazon opens its doors on Sunday for a delicious buffet-style brunch accompanied by (live) music.
Numerous events, such as bachata initiations, drag shows, workshops, theme nights and Sunday markets with local products, are organised weekly.&nbsp;Consult the calendar here.

Gazon: Summer bar in the beautiful private gardens of the Kristallijn ice rink

BROEI is a bustling venue in an old shed, established in the context of Ghent European Youth Capital 2024. It offers space to about 30 organisations for and by youngsters. In the summer, Bar Broei is the beating heart of BROEI.
It is a lively venue where a wide range of activities take place, including brunch on Sundays, open poetry night and live jam sessions. It is also a great place to have a drink and a bite to eat.
Are you driving to Ghent? First check whether you may enter the city centre with your vehicle. Clean vehicles may enter the city centre free of charge, polluting vehicles have to pay. Is your vehicle allowed to enter, but do you not have a Belgian or Dutch number plate? You will ALWAYS have to register!

Bar Broei: Summer bar in an old shed

<div>Piano Composer FestivalOp vrijdag 26 april 2024 vindt in Gent de 1e editie plaats van het Piano Composer Festival. Drie gerenommeerde Gentse pianist-componisten (Matthias De Jaeger, Pieter Savenberg en Mattias Devriendt, ) fungeren als curator-uitvoerder van dit uniek evenement. Tijdens een gezamenlijk concert zullen ze elk hun mooiste werken vertolken. Een unieke samenwerking, een verrassende muzikale ontdekkingstocht, een meeslepend en feeëriek concert. 1 ding hebben de 3 pianist-componisten gemeen: ze componeren allen toegankelijke hedendaagse neoklassieke muziek die je meteen doet wegdromen. Toch zijn ze elk heel apart. Ze componeren en vertolken elk in een andere stijl. Hoewel hun muziek telkens voor zich spreekt, kan je hun stijlen als volgt omschrijven: Matthias De Jaeger “Writing stories, filling the air with poetry. My fingers are a pencil, the piano my paper aeroplane.” <a href="http://www.mdj-pianist.com/?fbclid=IwAR06LUlZBg_mHRoKPJEv7GgFBDYxZot9JucWMpyu5SOeCDWBNGrPw23EQyQ" target="_blank" rel="noreferrer">www.mdj-pianist.com</a> Pieter Savenberg “Beauty in simplicity.” <a href="http://www.pietersavenberg.com/?fbclid=IwAR1GOgJOhqQtrhgu-iQkYnqqle1iUzhQJhe7-kBHhULuFIiRz4a5yjgSkTw" target="_blank" rel="noreferrer">www.pietersavenberg.com</a> Mattias Devriendt “offering people emotional depth through peaceful music” <a href="http://www.mattiasdevriendt.com/?fbclid=IwAR1NnUCXYrVotv2CkU_pWNjxRe438VeyI3qDxmlSclPLkUV1ZCQd1GQL_f0" target="_blank" rel="noreferrer">www.mattiasdevriendt.com</a> Als pianoliefhebber mag je dit evenement niet missen.</div>

Piano Composer Festival

Seven people arrive at a remote medical facility to take part in a clinical drug trial. All of them young and broke, doing it for the money. The trial is supposed to be routine, but from the first night no one can sleep. They stay awake for days on end without even feeling tired. But on the fourth night the effects start to wear off, and when the first of the group finally falls asleep, they suffer a horrific death. The others must now come to grips with the drug's terrifying side effect: if you fall asleep you die. With the facility locked down for 24 hours and all communication cut off, they have no choice but to stay awake until help arrives. But as time drags on, one by one they succumb to sleep and death, and their chances of survival seem slim. They need a leader, and troubled loner Claire is gradually drawn out of her isolation and forced to step up. With paranoia taking hold and the group starting to turn on each other, it's left up to Claire alone to keep them together, find a way to escape, and somehow manage to stay awake.

Scéal Eile Irish Film Festival presents DOUBLE BLIND

Sixty years ago the first Turkish migrants came to Ghent. Nowadays almost one out of ten Ghent citizens has Turkish roots. A group of young people of Turkish descent set out to find stories, objects and the meaning behind those figures.
The focus of this search was the question of what should be preserved for future generations. With the help of their grandparents, parents and acquaintances, they looked for objects, stories and relevant facts relating to the Turkish migration to Ghent. The outcome of their efforts is a new Ghent-Turkish heritage collection.&nbsp;

To preserve is to stay! Koru ve yaşat!: Overview of the Ghent-Turkish heritage collection

Shaolin Monks - Wheel of Life

Sven de Leijer

At STAMplein square, a separate part of the museum with changing programmes, you can visit the heritage project “The square kilometre”. Here you can learn all about the Dampoort neighbourhood.
Historian in residence Tina de Gendt and researcher Thirza Vandenabeele delve deep into the history of the area around the Gent-Dampoort railway station. Contrary to Ledeberg, Rabot and Brugse Poort, which were the central topic of the project “The square kilometre”, the Dampoort area is not what you could call a “neighbourhood”. It is composed of parts of the districts Ham, Macharius, Dendermondsesteenweg and Antwerpsesteenweg.
Prefer not to wait in line at the ticket booth? Want to be sure you can discover the STAM when you want to? Then book your tickets online in advance and enjoy your visit to the fullest.
Are you driving to Ghent? First check whether you may enter the city centre with your vehicle. Clean vehicles may enter the city centre free of charge, polluting vehicles have to pay. Is your vehicle allowed to enter, but do you not have a Belgian or Dutch number plate? You will ALWAYS have to register!

The square kilometre: Dampoort

<div>Every academic year, S.M.A.K, Ghent University, and the Curatorial Studies program at KASK &amp; School of Arts collaborate to organize the Curatorial Lectures series. This year's lecture series, featuring Aline Hernández as the third speaker, centers on the theme 'Working with Communities'.Curators connect communities with cultural institutions. They engage with communities, ensure accessibility, address social issues, and build trust between different stakeholders. This year’s series ‘Working with Communities’ invites practitioners to discuss the role of curating in shaping communities and relationships. How can curatorial work reveal power dynamics and offer alternative social imaginaries?BiographyYves Makongo, born in 1984 in Douala, Cameroon, currently serves as the Artistic Assistant and Project Manager at the contemporary art center doual'art. He holds a degree in human geography from the University of Douala, where he completed his Master's in Environment in 2009. Yves is highly versatile, effortlessly transitioning from hands-on tasks like woodworking to intellectually demanding work involving new technologies.Since joining doual'art in January 2011, Yves has gained extensive experience working alongside Didier Schaub (1952-2014). His responsibilities include assisting with scenography and exhibition setups, creating neighborhood monographs, conducting questionnaire surveys, managing supplies, and overseeing various projects. Yves has been instrumental in the success of two editions of the public art festival SUD, organized by doual'art: SUD2013, Douala Métamorphoses, and SUD2017, The Place of Human Dimension.Yves Makongo is an alumnus of Asiko Addis Ababa 2016 and Asiko Accra 2017, where he honed his curatorial skills. He is also an alumnus of The Museumslab in 2022. Yves is passionate about various causes, including human rights, art and culture, migration and boundaries, health and the environment, all intertwined with issues of identity.Past speakers in the Curatorial Lectures series have included Cosmin Costinas, Cédric Fauq, Yolande Zola Zoli van der Heide, Simon Njami, Zoé Whitley, Ippolito Pestellini Laparelli, Karen Archey, Cecilia Alemani, Rebecca Lamarche-Vadel, Luca Lo Pinto, Joanna Mytkowska, Sofia Hernández Chong Cuy, Penelope Curtis, Mathieu Copeland, Anthony Huberman, Jean-Hubert Martin, Chus Martínez, Gabi Ngcobo, Marie Hélène Pereira, Susanne Pfeffer, Kasia Redzisz, Nicolaus Schafhausen and Adam Szymczyk.</div>

Curatorial Lectures: Yves Makongo

Beyond Borders

In the summer months, orchestras, fanfare groups and brass bands treat you to music at the weekly Sunday flower market.
The Town Crier of Ghent announces the concerts half an hour before they begin and introduces the music group that will be adding atmosphere to your morning at the flower market.
Are you driving to Ghent? First check whether you may enter the city centre with your vehicle. Clean vehicles may enter the city centre free of charge, polluting vehicles have to pay. Is your vehicle allowed to enter, but do you not have a Belgian or Dutch number plate? You will ALWAYS have to register!

Kouterconcerten: Enjoy music among the flowers

Bill Bailey

Lords Of The Sound

William Boeva

Marie Cloquet creates large-scale hybrid works that constitute a non-classified overlap between painting and photography. She reconstructs the places where they came into existence. This way her landscapes ignore the dividing line between nature and culture, between organic and man-made.

Belvédère: Exhibition of Marie Cloquet

Metejoor

Natalia

Sirah Foighel Brutmann & Eitan Efrat Là

The Shore, a place I'd like to be is the first solo exhibition in a Belgian museum of electro-acoustic composer and artist Tarek Atoui. He exhibits existing works and new productions.
Sound constitutes the core of his work. Atoui is well-known for the sonic-sculptural landscapes he creates on the basis of sounds, images, matter, space, time, human actions and organic processes. His installations always take the form of a participative workshop or prompt visitors to listen to the space, each other, and themselves.

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