Le lundi, c’est scène ouverte à la Trico !
Tous les lundis, la Tricoterie vous partage sa scène !
Entre 20h et 22h30, la scène ouverte bat son plein. Vous serez sous le feu des
projecteurs, devant une audience bienveillante, avide d’entendre ce que vous
avez envie de lui proposer. Que ce soit de la chanson française, du funk, du
classique, du rap, ou encore un bon vieux rock garage, vous êtes les bienvenu·es
!
Un seul mot d’ordre : jouer « live » (pas d’enregistrement sur lequel on pose
une voix).
Si vous avez envie de tenter un bout de spectacle, un poème, une performance, un
tour de magie, pourquoi pas, la scène sera également à vous !
Le modus operandi est simple : la liste de passage découpée en 1/4h n’est
accessible que le jour même à partir de 19h (pas d’inscription par mail ou
téléphone à l’avance), donc venez au plus tôt, inscrivez-vous, puis regardez les
autres artistes en dégustant un petit verre, avant de monter vous-même sur
scène…
À partir de 22h30, la jam prend place. Tout·e musicien·ne ou chanteur·euse est
bienvenu·e pour partager la scène avec d’autres ! L’écoute des autres est
l’élément principal et primordial pour que la magie musicale puisse opérer…
À tout bientôt !
Date et horaire :Tous les lundis* à 20h
*Du 11 septembre au 18 décembre (sauf le 30.10)
Exposition
NATURE AND ABSTRACTION An Eclectic Showcase of 20th-Century Artistic Production
Description
This autumn 2023, Galerie de la Béraudière will be hosting an exceptional variety of works and artists. A broad spectrum of 20th-century artistic production will be represented, in all its formal diversity, in an exhibition that combines forms inspired by nature with radically abstract creations.
Whether it’s Rembrandt Bugatti’s animal sculptures, Miró’s Femme, Oiseaux or Soutine’s La Dinde Jaune, nature shines through in a variety of forms and colours. Indeed, throughout the exhibition we see nature, through the eyes of Max Ernst, transformed into something as seductive as it is disquieting – a parallel visual world of its own,as likely and convincing as nature confirmed by science. An eternal source of inspiration, nature can also become a memory, as in the works of Jean Dubuffet, evoking the texture and tactility of soil, water, stones, leaves, fog and dew.
The exhibition also includes three works by Jean Fautrier, a powerful artist with furious brushstrokes, who, unlike other Informalist painters, has a conscious control of gesture, never allowing form to become so diluted as to lose all connection with the real world.
Meanwhile, Antoni Tapiès distances himself from the real world; a kind of alchemist, he experiments with matterand a myriad of textures – from sand to metal, wood and textiles.
Visitors can also discover the extreme, minimalist abstractions of Dadamaino and his Volumes, which stand in stark contrast to the colourful works of Evelyne Axell, featuring cut-out shapes and silhouettes imbued with 1960s pop culture.
These multiple contrasting approaches bear witness to the eternal dialogue between the artist and nature, experienced as both an intolerable limitation and a vital source of inspiration.
Whether it’s Rembrandt Bugatti’s animal sculptures, Miró’s Femme, Oiseaux or Soutine’s La Dinde Jaune, nature shines through in a variety of forms and colours. Indeed, throughout the exhibition we see nature, through the eyes of Max Ernst, transformed into something as seductive as it is disquieting – a parallel visual world of its own,as likely and convincing as nature confirmed by science. An eternal source of inspiration, nature can also become a memory, as in the works of Jean Dubuffet, evoking the texture and tactility of soil, water, stones, leaves, fog and dew.
The exhibition also includes three works by Jean Fautrier, a powerful artist with furious brushstrokes, who, unlike other Informalist painters, has a conscious control of gesture, never allowing form to become so diluted as to lose all connection with the real world.
Meanwhile, Antoni Tapiès distances himself from the real world; a kind of alchemist, he experiments with matterand a myriad of textures – from sand to metal, wood and textiles.
Visitors can also discover the extreme, minimalist abstractions of Dadamaino and his Volumes, which stand in stark contrast to the colourful works of Evelyne Axell, featuring cut-out shapes and silhouettes imbued with 1960s pop culture.
These multiple contrasting approaches bear witness to the eternal dialogue between the artist and nature, experienced as both an intolerable limitation and a vital source of inspiration.