“Treasures of The American Songbook”Hetty Kate (Vocals), Maxime Moyaerts
(Piano),Victor Foulon (Double Bass) “When Hetty Kate takes the stage you can’t
help but notice. She has a stage presence only matched by the clarityof her
voice – couple this with her dedication to music that swings, and you have the
jazz musician’s singer.” – James Morrison Multi-Instrumentalist (AU) For these
intimate concerts, British/Australian jazz vocalist Hetty Kate has invited
celebrated musicians, pianist Maxime Moyaerts and bassist Victor Foulon to join
her. As the trio explores classics and curiosities from the swing, cool jazz and
bop eras you’ll discover the joys of the jazz trio, a simplicity allowing each
musician, and importantly, each song to shine. “Like Peggy Lee on a Vespa” Marc
Myers, Jazzwax Magazine (USA) Described as “the real deal” and “one of the best
swing singers on the scene today”, jazz singer Hetty Kate has been pursuing an
impressive international career for over a decade. From intimate clubs to the
most prestigious stages such as The Sydney Opera House, Hetty’s career has taken
her all over the world, from New Zealand to New York. With her clear voice and
remarkable intonation, reminiscent of the singers of the 1950s, Hetty Kate
swings the beautiful songs of the American Songbook – from Gershwin to Dameron,
from swing to bop. You’ll notice that Hetty “honors the composer” by staying
true to the message and melody of his composition, and uses improvisation in a
way that never interferes with the lyrics. It is this rare quality and a
compelling ease on stage that has attracted the attention of musicians and
audiences the world over. Over the course of her career, Hetty has released ten
critically acclaimed albums and performed at many festivals including the New
York Winter Jazz Festival (USA), the Sapporo Jazz Festival (Japan), the Prague
Proms (Czech Republic), the Melbourne, Sydney and Perth International Jazz
Festivals (Australia), the Cavell Leitch International Jazz Festival (New
Zealand), thePeniscola Jazz Festival (Spain), the Piacenza Jazz Festival
(Italy). Hetty also toured extensively with award-winning Australian jazz
musician James Morrison for many years, notably as the featured vocalist on his
symphonic concert (Europe/Asia/Australia) entitled “The A to Z of Jazz”. Join us
and enjoy a warm, entertaining and masterful evening of treasures from the
American Songbook. VIDEO LINK : http://www.youtube.com/hettykateTICKET: 18€
Members – No Members 20€
Reporté à une date ultérieure - Opéra buffa "La serva padrona" de G.B. Pergolesi
08juli 2022
19:00 - 20:30
Istituto Italiano di Cultura, Livornostraat 38, Brussels, Brussels-Capital 1000, Belgium
Description
*** Français ***
INTRIGUE: Uberto, fatigué des caprices et des brimades de Serpina, décide de rétablir les bons rôles au sein de la maison en faisant semblant de se marier. La jeune fille, rendue jalouse, annonce à son tour, avec la complicité du serviteur Vespone, son mariage avec le fictif capitaine Tempesta.Adelion Kola est né le 20.11.1998 à Rreshen, en Albanie. Il a terminé ses études au lycée artistique "Jordan Misja" dans la classe de chant de la pédagogue Alma Strazimiri. Il s'installe en Italie en 2018 et poursuit ses études au conservatoire "Claudio Monteverdi "à Bolzano dans la classe de chant du professeur Giulio di Raco, poursuivant actuellement avec le professeur Eleonora Contucci. En 2017, elle a organisé son premier concert solo dans la cathédrale de Tirana (Albanie). En avril 2019, il a participé à la chorale du conservatoire pour la production du Requiem de W.A. Mozart présentée à Bolzano et à Rome. En septembre 2020, il a débuté dans le rôle de Colas dans l'opéra "Bastien und Bastiene" de W.A. Mozart. En octobre 2020, il s'est attaqué au rôle de Schlendrian dans la Coffee Cantata de J.S.Bach.En août 2021, il chante à Alessio en Albanie pour son deuxième concert en solo, abordant des airs du répertoire de l'opéra italien et des romances albanaises.En mai 2022, elle a fait ses débuts en tant que soliste pour la production de la 9e Symphonie de Beethoven présentée à Bolzano, Silandro et Bressanone.Mariapaola Meo est une soprano lyrique au timbre bruni et une journaliste qui allie sa sensibilité d'interprète à son intérêt pour la recherche musicologique et la critique musicale. En mars 2019, elle a obtenu son diplôme académique de deuxième niveau spécialisé dans le chant solo en théâtre musical, au Conservatoire de Naples San Pietro à Majella. Admiratrice du répertoire baroque et de la production du 18ème siècle de l'école napolitaine, au sein du même Institut de Haute Formation Musicale, elle est sur le point de terminer le Master en musique ancienne, détenu par le maestro Toni Florio pour la partie relative à la pratique de l'interprétation. Il se perfectionne techniquement, grâce à la participation à de nombreuses masterclasses, avec les meilleurs interprètes de la scène lyrique italienne et fait ses débuts en juillet 2017, dans le rôle de Cherubino, dans les "Nozze di Figaro", mis en scène par Maurizio Di Mattia, au Théâtre Sannazaro de Naples et, en répétition, au Teatro Comunale di Atri. En novembre 2018, elle a porté, pour la première fois, le rôle de Serpina dans la production " La servante maîtresse, autour de La serva padrona de G. B. Pergolesi ". Mariapaola Meo est également l'auteur de deux essais "Un piacere serbato ai saggi, o sia la dilettevole professione del critico musicale" d'avril 2019 et "Fotografia in bianco e nero di un salotto borghese : Francesco Paolo Tosti" décembre 2016, tous deux publiés par Oltrecultura.
*** English ***
PLOT: Uberto, tired of Serpina's whims and bullying, decides to restore the proper roles within the house by pretending to want to get married. The girl, feeling jealous, announces in turn, with the complicity of the servant Vespone, her marriage to the fictitious Captain Tempesta.Adelion Kola was born on 11/20/1998 in Rreshen, Albania. He finished his studies at the art high school "Jordan Misja "in the singing class of pedagogue Alma Strazimiri. He moved to Italy in 2018 and continued his studies at the conservatory "Claudio Monteverdi "in Bolzano in the singing class of professor Giulio di Raco, currently continuing with professor Eleonora Contucci. In 2017 she organized her first solo concert in the Tirana Cathedral (Albania). In April 2019 he took part in the conservatory choir for the production of W.A. Mozart's Requiem performed in Bolzano and Rome. In September 2020 he debuted the role of Colas in the opera 'Bastien und Bastiene' by W.A. Mozart. In October 2020, he tackled the role of Schlendrian in J.S.Bach's Coffee Cantata.In August 2021 he sang in Alessio in Albania in his second solo concert, tackling arias from the Italian opera repertoire and Albanian romances.In May 2022 she debuted as soloist for the production Beethoven's 9th Symphony performed in Bolzano, Silandro and Bressanone.Mariapaola Meo is a lyric soprano with a burnished timbre and a journalist who combines her sensitivity as a performer with an interest in musicological research and music criticism. In March 2019 she obtained her Second Level Academic Diploma specializing in Solo Singing in Musical Theater, at the San Pietro a Majella Conservatory of Naples. An admirer of the Baroque repertoire and eighteenth-century production of the Neapolitan School, at the same Institute of High Musical Education, she is about to complete the Master's Degree in Early Music, taught by maestro Toni Florio for the part related to performance practice. He improved technically, thanks to attending numerous masterclasses, with the best performers on the Italian opera scene and made his debut in July 2017, in the role of Cherubino, in "Nozze di Figaro," directed by Maurizio Di Mattia, at the Sannazaro Theater in Naples and, in repetition, at the Teatro Comunale di Atri. In November 2018, she dresses, for the first time, the role of Serpina in the production "La servante maîtresse, around G. B. Pergolesi's La serva padrona." Mariapaola Meo is, in addition, the author of two essays, " Un piacere serbato ai saggi, o sia la dilettevole professione del critico musicale" from April 2019 and "Fotografia in bianco e nero di un salotto borghese: Francesco Paolo Tosti" from December 2016, both published by Oltrecultura.